Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 8
... field of which the boundaries cannot be established much of a field ? Is it a field at all ? Is it merely an illusion ? 1 A devastating demonstration of precisely this point has been made in Robert E. Lane , The Liberties of Wit ...
... field of which the boundaries cannot be established much of a field ? Is it a field at all ? Is it merely an illusion ? 1 A devastating demonstration of precisely this point has been made in Robert E. Lane , The Liberties of Wit ...
Страница 83
... field which is culturally con- ventionalized as the occasion for the perceiver's role , the artist presents unpredicted signs . This consideration of a work of art as a constructed field of signs permits us to place artistic behavior in ...
... field which is culturally con- ventionalized as the occasion for the perceiver's role , the artist presents unpredicted signs . This consideration of a work of art as a constructed field of signs permits us to place artistic behavior in ...
Страница 124
... field of investigation . ” In brief , “ I have recategorized the situation . " We discover nothing . We take care of a phenomenon which we cannot categorize by restructuring the system of categorization in the field of investigation ...
... field of investigation . ” In brief , “ I have recategorized the situation . " We discover nothing . We take care of a phenomenon which we cannot categorize by restructuring the system of categorization in the field of investigation ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word