Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 10
... fact that art is the consequence of behavior . For the spectator a work of art is the occasion for certain behavior ; from the perspective of the artist , it is the consequence . A work of art is not a mountain or a tree . The ...
... fact that art is the consequence of behavior . For the spectator a work of art is the occasion for certain behavior ; from the perspective of the artist , it is the consequence . A work of art is not a mountain or a tree . The ...
Страница 22
... fact it originated in literature , was then extended to the other arts , and in traditional critical and analytic discourse about the arts is felt to refer to a unique quality of art . The cultural anthropologists have been responsible ...
... fact it originated in literature , was then extended to the other arts , and in traditional critical and analytic discourse about the arts is felt to refer to a unique quality of art . The cultural anthropologists have been responsible ...
Страница 70
... fact is that though art is a logically empty category , in our culture it is not a conventionally empty category . Since aesthetics emerged historically at the highest cultural level , it is not at all surprising that aestheticians ...
... fact is that though art is a logically empty category , in our culture it is not a conventionally empty category . Since aesthetics emerged historically at the highest cultural level , it is not at all surprising that aestheticians ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word