Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 218
... expectancy is that his path will be clear , yet that expectancy has been frustrated : the " form " of his perception has been violated . His first response is disorientation ; his mode of prediction in this situation has failed . He ...
... expectancy is that his path will be clear , yet that expectancy has been frustrated : the " form " of his perception has been violated . His first response is disorientation ; his mode of prediction in this situation has failed . He ...
Страница 219
... expectancy theory simply to refer to " learned affect . " This usage would be consonant with Allport's conclusions ... expectancies set up in the individual by the situational signs that it is appropriate for him to play the perceiver's ...
... expectancy theory simply to refer to " learned affect . " This usage would be consonant with Allport's conclusions ... expectancies set up in the individual by the situational signs that it is appropriate for him to play the perceiver's ...
Страница 233
... expectancy for E is very great . If E is forthcoming the expectancy for F is even greater . The presentation of F makes an enormously powerful expectancy for G , and so on . But the composer may not only skip up and down ; he may also ...
... expectancy for E is very great . If E is forthcoming the expectancy for F is even greater . The presentation of F makes an enormously powerful expectancy for G , and so on . But the composer may not only skip up and down ; he may also ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word