Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 63
... developed , more thoroughly structured , more carefully taught , and has developed a richer vocabulary in Europe and America than in any other culture area . Above all , we have fully developed the setting of the work of art : the art ...
... developed , more thoroughly structured , more carefully taught , and has developed a richer vocabulary in Europe and America than in any other culture area . Above all , we have fully developed the setting of the work of art : the art ...
Страница 157
... developed into primary signs as well as into iconic signs , but that in the history of painting they were developed simultaneously , as in poetry . We cannot know , of course , the perceptual mode of thou- sands of years ago . The ...
... developed into primary signs as well as into iconic signs , but that in the history of painting they were developed simultaneously , as in poetry . We cannot know , of course , the perceptual mode of thou- sands of years ago . The ...
Страница 234
... develop . For us , it takes a long time to get used to listening to such music , so power- ful are our harmonic ... developed for composing music . First comes the selection of pitch tones to be available . Then comes the selection ...
... develop . For us , it takes a long time to get used to listening to such music , so power- ful are our harmonic ... developed for composing music . First comes the selection of pitch tones to be available . Then comes the selection ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word