Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница ix
... course at the University of Pennsylvania on the relation of the arts to literature , and from that course the present book has emerged . The theory presented here has undergone development and modifica- tion for nearly a decade , and no ...
... course at the University of Pennsylvania on the relation of the arts to literature , and from that course the present book has emerged . The theory presented here has undergone development and modifica- tion for nearly a decade , and no ...
Страница 233
... course , from mode ) to another key . But with " key " we come to harmony . Here again the possibilities of rule manipulation are enormous , but the basic rule is simple enough . The first , third , fifth , and eighth notes of the scale ...
... course , from mode ) to another key . But with " key " we come to harmony . Here again the possibilities of rule manipulation are enormous , but the basic rule is simple enough . The first , third , fifth , and eighth notes of the scale ...
Страница 281
... course , enormously reduced the affect of the work . The second movement , therefore , was the one particularly important for affect . Derived from operatic arias , it was the movement in which there was the greatest dependence on ...
... course , enormously reduced the affect of the work . The second movement , therefore , was the one particularly important for affect . Derived from operatic arias , it was the movement in which there was the greatest dependence on ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word