Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 4
... common , and to refer to that common quality , the old word " art " was employed for a novel conception . This is a telling argument , but a difficulty arises when an attempt is made to say what the various objects now called " works of ...
... common , and to refer to that common quality , the old word " art " was employed for a novel conception . This is a telling argument , but a difficulty arises when an attempt is made to say what the various objects now called " works of ...
Страница 113
... common , is search behavior . The interpreter asks , “ What is the membership of the category of which this sign is an attribute ? " Or , " What is the common attribute of all the members of this range ? " This last is what the proposed ...
... common , is search behavior . The interpreter asks , “ What is the membership of the category of which this sign is an attribute ? " Or , " What is the common attribute of all the members of this range ? " This last is what the proposed ...
Страница 155
... common to both . This phenomenon we have met before . The pertinent passage may be quoted here once more . When an individual is deprived of any objective means of stabilizing his per- ceptions , he will establish an internal point of ...
... common to both . This phenomenon we have met before . The pertinent passage may be quoted here once more . When an individual is deprived of any objective means of stabilizing his per- ceptions , he will establish an internal point of ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word