Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 17
... century Medici certainly appear to have desired intensely to assert their wills over the political and economic and artistic life of Florence ; during their regime the Renaissance style emerged . Hildebrand , Gregory VII , was the most ...
... century Medici certainly appear to have desired intensely to assert their wills over the political and economic and artistic life of Florence ; during their regime the Renaissance style emerged . Hildebrand , Gregory VII , was the most ...
Страница 149
... century churches and most homes , show either Baroque stylistic features or nineteenth - century traits . Recent efforts to return Madonna paintings to the cultural center have been highly self- conscious and not very successful in ...
... century churches and most homes , show either Baroque stylistic features or nineteenth - century traits . Recent efforts to return Madonna paintings to the cultural center have been highly self- conscious and not very successful in ...
Страница 152
... century . It is unquestionable that nineteenth - century Romantic paint- ing , as we shall see later , was marked by a considerable and easily noticeable increase in iconicity . But then , as we have seen , so was Romantic poetry and ...
... century . It is unquestionable that nineteenth - century Romantic paint- ing , as we shall see later , was marked by a considerable and easily noticeable increase in iconicity . But then , as we have seen , so was Romantic poetry and ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word