Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Резултати 1 - 3 от 84.
Страница 130
... aspect of art , therefore , is always functional ; in this aspect of his activity , the artist is controlled by extra - artistic , conventional factors . Henceforth , then , I shall refer to the semantic aspect of art when I wish to ...
... aspect of art , therefore , is always functional ; in this aspect of his activity , the artist is controlled by extra - artistic , conventional factors . Henceforth , then , I shall refer to the semantic aspect of art when I wish to ...
Страница 148
... aspect of a perceptual field cannot be signified on a two - dimensional sign pack- age , selection is necessary ... aspect of painting , or to that aspect of which non - functional dynamism is the character ? Or do some belong to one and ...
... aspect of a perceptual field cannot be signified on a two - dimensional sign pack- age , selection is necessary ... aspect of painting , or to that aspect of which non - functional dynamism is the character ? Or do some belong to one and ...
Страница 296
... aspect of the transaction , rather than to the environmental aspect . Thus , just as a compound sign is a con- struct of the environment , it can also be interpreted as a construct of an orientation . This makes it possible to account ...
... aspect of the transaction , rather than to the environmental aspect . Thus , just as a compound sign is a con- struct of the environment , it can also be interpreted as a construct of an orientation . This makes it possible to account ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
Авторско право | |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word