Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 168
... ARCHITECTURE Architecture offers configurational signs , both iconic and non- iconic , of the sort found in both painting and sculpture , but it has its own kind of configurational sign as well . Like music , however , its greatest ...
... ARCHITECTURE Architecture offers configurational signs , both iconic and non- iconic , of the sort found in both painting and sculpture , but it has its own kind of configurational sign as well . Like music , however , its greatest ...
Страница 170
... architectural perceiver : light and move- ment . The experience of a work of architecture is not that of standing still and looking at a defined spacial field . Architecture is the least defined of all the arts . We move towards ...
... architectural perceiver : light and move- ment . The experience of a work of architecture is not that of standing still and looking at a defined spacial field . Architecture is the least defined of all the arts . We move towards ...
Страница 173
... architecture as a fluid and dynamic experience to be interpreted rather than merely a solid or a void to be seen makes it much easier to identify primary significance in architecture . For the purposes of such an analysis the usual ...
... architecture as a fluid and dynamic experience to be interpreted rather than merely a solid or a void to be seen makes it much easier to identify primary significance in architecture . For the purposes of such an analysis the usual ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word