Man's Rage for Chaos: Biology, Behavior, and the ArtsChilton Books, 1965 - 339 страници |
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Страница 112
... acceptance in their work commonly display masculine bluster at home , or at play . One function of the neighbor- hood bar is to provide a setting for this kind of masculine display and bluster . If we examine our interesting Wild Ones ...
... acceptance in their work commonly display masculine bluster at home , or at play . One function of the neighbor- hood bar is to provide a setting for this kind of masculine display and bluster . If we examine our interesting Wild Ones ...
Страница 145
... acceptance . Byron , in Don Juan , constantly uses it in a context where it can be interpreted as an " Oh - well ! -That's - the - way - it - is " kind of acceptance . The poet , then , has at his command a number of primary signs , but ...
... acceptance . Byron , in Don Juan , constantly uses it in a context where it can be interpreted as an " Oh - well ! -That's - the - way - it - is " kind of acceptance . The poet , then , has at his command a number of primary signs , but ...
Страница 179
... acceptance , while the shallow- ness from entrance to altar was a sign of the energy conservation which Bernini himself sought after the expenditure of great labors and the exhaustion of enduring great frustrations . That shallowness is ...
... acceptance , while the shallow- ness from entrance to altar was a sign of the energy conservation which Bernini himself sought after the expenditure of great labors and the exhaustion of enduring great frustrations . That shallowness is ...
Съдържание
RAGE FOR ORDER | 3 |
ART AND BEHAVIOR | 41 |
SIGNS | 74 |
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adequacy aesthetic aestheticians allophonic appears architecture artifact artistic behavior assert attributes behavioral pattern building century chess configurational signs continuity conventionalized conventions create critics defining demands derived developed emblems emerges English poetry environment example experience explicit external discontinuity game metaphor Gothic architecture havior highest cultural level human behavior iconicity identified individual innovation interpretation kind language learned Les Demoiselles d'Avignon logical means melody metaphor modal discontinuity natural signs non-functional stylistic object offers orientation painting particular pattern of behavior perceiver perceiver's role perception perceptual configuration perceptual field philosophy phonic playing poem poet poetry political absolutism possible predictive present primary signs problem rage for order range reason refer response Rococo Romantic rules semantic function semiosis semiotic sense sequence social society statements structure stylistic continuum stylistic dynamism stylistic features symbol talking term theory three-dimensional chess tion tradition unique verbal behavior verbal signs violation visual sign word