Painful pre-eminence! yourself to view Say, wouldst thou be the man to whom they fall? 270 Pursues that chain which links th' immense design, For him alone hope leads from goal to goal, 290 360 Self-love thus push'd to social, to divine, From ancient story, learn to scorn them all. The only point where human bliss stands still, Is bless'd in what it takes, and what it gives; The broadest mirth unfeeling folly wears, 310 Good, from each object, from each place acquired, Never elated, while one man's oppress'd; Come then, my friend! my genius! come along; And while the muse now stoops, or now ascends, 320 Pursue the triumph, and partake the gale? 380 When statesmen, heroes, kings, in dust repose, foes, Shall then this verse to future age pretend See the role bliss Heaven could on all bestow! Which who but feels can taste, but thinks can know; Yet poor with fortune and with learning blind, And all our knowledge, is ourselves to know. THE UNIVERSAL PRAYER. DEO OPT, MAX. It may be proper to observe, that some passages in the preceding Essay having been unjustly suspected of a tendency towards fate and naturalism, the author composed this prayer as the sum of all, to show that his system was founded in free-will, and terminated in piety: that the First Cause was as well the Lord and Governor of the universe as the Creator of it; and that, by submission to his will (the great principle enforced throughout the Essay) was not meant the suffering ourselves to be carried along by a blind determination, but a resting in a religious acquiescence, and confidence full of hope and immortality. To give all this the greater weight, the poet chose for his model the Lord's Prayer, which, of all others, best deserves the title prefixed to this paraphrase. FATHER of all! in every age, In every clime adored, By saint, by savage, and by sage, Thou Great First Cause, least understood; Who all my sense confined To know but this, That thou art good, And that myself am blind; Yet gave me, in this dark estate, This, teach me more than hell to shun, For God is paid when man receives: Yet not to earth's contracted span Thy goodness let me bound, If I am right, thy grace impart, If I am wrong, O teach my heart To find that better way. Save me alike from foolish pride, THE Essay on Man was intended to have been comprised in four books: The first of which the author has given us under that title, in four epistles. The second was to have consisted of the same number: 1. Of the extent and limits of human reason. 2. Of those arts and sciences, and of the parts of them, which are useful, and therefore attainable, together with those which are unuseful, and therefore unattainable. 3. Of the nature, ends, use, and application of the different capacities of men. 4. Of the use of learning, of the science of the world, and of wit; concluding with a satire against a misapplication of them, illustrated by pictures, characters, and examples. The third book regarded civil regimen, or the science of politics, in which the several forms of a republic were to be examined and explained; together with the several modes of religious worship, as far forth as they affect society: between which the author always supposed there was the most interesting relation and closest connexion; so that this part would have treated of civil and religious society in their full extent. The fourth and last book concerned private ethics, or practical morality, considered in all the circumstances, orders, professions, and stations of human life. The scheme of all this had been maturely digested, and communicated to Lord Bolingbroke, Dr. Swift, and one or two more, and was intended for the only work of his riper years; but was, partly through illhealth, partly through discouragements from the depravity of the times, and partly on prudential and other considerations, interrupted, postponed, and, lastly, in a manner laid aside. But as this was the author's favourite work, which more exactly reflected the image of his strong capa cious mind, and as we can have but a very imperfec idea of it from the disjecta membra poete that now remain, it may not be amiss to be a little more particular concerning each of these projected books. The first, as it treats of man in the abstract, and considers him in general under every of his relations, becomes the foundation, and furnishes out the subjects, of the three following; so that The second book was to take up again the first and second epistles of the first book, and treat of man in his intellectual capacity at large, as has been explained above. Of this, only a small part of the conclusion (which, as we said, was to have contained a satire against the misapplication of wit and learning) may be found in the fourth book of the Dunciad, and up and down, occasionally, in the other three. to ver. 168. III. It only remains to find (if we can) his ruling passion: That will certainly influence all the rest, and can reconcile the seeming or real inconsistency of all his actions, ver. 175. Instanced in the extraordinary character of Clodio, ver. 179. A caution against mistaking second qualities for first, which will destroy all possibility of the knowledge of mankind, ver. 210. Examples of the strength of the ruling passion, and its continuation to the last breath, ver. 222, &c. EPISTLE I. I. YES, you despise the man to books confined, The third book, in like manner, was to re-assume The coxcomb bird, so talkative and grave, the subject of the third epistle of the first, which That from his cage cries cuckold, whore, and knave, treats of man in his social, political, and religious ca- Though many a passenger he rightly call, pacity. But this part the poet afterwards conceived You hold him no philosopher at all. might be best executed in an epic poem; as the action would make it more animated, and the fable less invidious in which all the great principles of true and false governments and religions should be chiefly delivered in feigned examples. The fourth and last book was to pursue the subjeet of the fourth epistle of the first, and to treat of ethics, or practical morality; and would have consisted of many members; of which the four following epistles were detached portions; the first two, on the characters of men and women, being the introductory part of this concluding book. MORAL ESSAYS. EPISTLE I. TO SIR RICHARD TEMPLE, LORD COBHAM. ARGUMENT. Of the Knowledge and Characters of Men. And yet the fate of all extremes is such, That each from others differs, first confess; Our depths who fathoms, or our shallows finds, Like following life through creatures you dissect, 10 20 20 30 I. That it is not sufficient for this knowledge to con- Yet more; the difference is as great between sider man in the abstract: books will not serve the The optics seeing, as the objects seen. purpose, nor yet our own experience singly, ver. 1 All manners take a tincture from our own; General maxims, unless they be formed upon both. Or some discolour'd through our passions shown; will be but notional, ver. 10. Some peculiarity in Or fancy's beam enlarges, multiplies, every man, characteristic to himself, yet varying from himself, ver. 15. Difficulties arising from our own Contracts, inverts, and gives ten thousand dyes. passions, fancies, faculties, &c. ver. 31. The shortNor will life's stream for observation stay; ness of life to observe in, and the uncertainty of the It hurries all too fast to mark their way: principles of action in men to observe by, ver. 37, &c. In vain sedate reflections we would make, Our own principle of action often hid from ourselves. When half our knowledge we must snatch, not take, ver. 41. Some few characters plain, but in general Oft, in the passions' wild rotation toss'd, confounded, dissembled, or inconsistent, ver. 51. The Our spring of action to ourselves is lost: same man utterly different in different places and Tired, not determined, to the last we yield, seasons. ver. C2. Unimaginable weaknesses in the greatest, ver. 70, &c. Nothing constant and certain And what comes then is master of the field. but God and nature, ver. 95. No judging of the mo- As the last image of that troubled heap, tives from the actions: the same actions proceeding When sense subsides and fancy sports in sleep, from contrary motives, and the same motives in- (Though past the recollection of the thought,) fluencing contrary actions, ver. 100. II. Yet, to form Becomes the stuff of which our dream is wrought: characters, we can only take the strongest actions of Something as dim to our internal view, a man's life, and try to make them agree. The utter Is thus, perhaps, the cause of most we do. uncertainty of this, from nature itself, and from policy, ver. 120. Character given according to the rank of men of the world, ver. 135. And some reason for it, ver. 140. Education alters the nature, or at least character, of many, ver. 149. Actions, passions, opinions, manners, humours, or principles, all sub. ject to change. No judging by nature, from ver. 158. P True, some are open, and to all men known; 41 50 Must then at once (the character to save) At half mankind when generous Manly raves, See the same man, in vigour, in the gout; Thinks who endures a knave, is next a knave, 'Tis from high life high characters are drawn, 70 A gownman learn'd, a bishop what you will; 130 Born where Heaven's influence scarce can penetrate. 80 We prize the stronger effort of his power, 'Tis education forms the common mind: Who would not praise Patricio's high desert, Know, God and nature only are the same; II. In vain the sage, with retrospective eye, Ask men's opinions: Scoto now shall tell That gay free-thinker, a fine talker once, Would from the apparent what, conclude the why; 100 Interest o'ercome, or policy take place: Infer the motive from the deed, and show, Some plunge in business, others shave their crowns: 150 160 170 By actions? those uncertainty divides: Not always actions show the man; we find But grant that actions best discover man: 180 He dies, sad outcast of each church and state, Yet, in this search, the wisest may mistake, If second qualities for first they take. In this one passion man can strength enjoy, Old politicians chew on wisdom past, A salmon's belly, Helluo, was thy fate; The doctor call'd, declares all help too late. 'Mercy!' cries Helluo, 'mercy on my soul! Is there no hope?-Alas!-then bring the jowl.' The frugal crone, whom praying priests attend, Still strives to save the hallow'd taper's end, Collects her breath, as ebbing life retires, For one puff more, and in that puff expires. 'Odious! in woollen! 'twould a saint provoke,' Were the last words that poor Narcissa spoke; 'No, let a charming chintz and Brussels lace Wrap my cold limbs, and shade my lifeless face; 210 220 230 240 "The manor, sir?'-'The manor! hold,' he cried, 260 Not that, I cannot part with that,'--and died. And you! brave Cobham, to the latest breath, Shall feel your ruling passion strong in death: Such in these moments as in all the past, Oh, save my country, Heaven!' shall be your last. EPISTLE II. TO A LADY. ARGUMENT. Of the Characters of Women. That the particular characters of women are not so strongly marked as those of men, seldom so fixed, and still more inconsistent with themselves, ver. 1, &c. Instances of contrarieties given, even from such characters as are more strongly marked, and seemingly, therefore, most consistent: as, 1. In the affected.—2 In the soft natured.-3. In the cunning and artful4. In the whimsical.-5. In the lewd and vicious.-6. In the witty and refined.-7. In the stupid and simple, ver. 21 to 207. The former part having shown that the particular characters of women are more various than those of men, it is nevertheless observed that the general characteristic of the sex, as to the ruling pas. sion, is more uniform, ver. 207. This is occasioned partly by their nature, partly by their education, and in some degree by necessity, ver. 211. What are the aims and the fate of this sex:-1. As to power.-2. As to pleasure, ver. 219.-Advice for their true interest. The picture of an estimable woman, with the best kind of contrarieties, ver. 249 to the end. There is nothing in Mr. Pope's works more highly finished than this epistle yet its success was in no proportion to the pains he took in composing it. Something he chanced to drop in a short advertisement prefixed to it on its first publication, may, perhaps account for the small attention given to it. He said that no one character in it was drawn from the life. The public believed him on his word, and expressed little curiosity about a satire, in which there was nothing personal. NOTHING So true as what you once let fall, Most women have no characters at all.' Matter too soft a lasting mark to bear, And best distinguish'd by black, brown, or fair How many pictures of one nymph we view, All how unlike each other, all how true! Arcadia's countess, here, in ermined pride, Is there, Pastora by a fountain side. Here Faunia, leering on her own good man, And there, a naked Leda with a swan. Let then the fair-one beautifully cry, In Magdalen's loose hair and lifted eye; One would not, sure, be frightful when one's dead-Or dress'd in smiles of sweet Cecilia shine, And-Betty-give this cheek a little red.' 251 With simpering angels, palms, and harps divine: Whether the charmer sinner it, or saint it, The courtier smooth, who forty years had shined An humble servant to all human kind, Just brought out this, when scarce his tongue could stir, 'If-where I'm going-I could serve you sir!' 'I give and I devise,' old Euclio said, And sigh'd, my lands and tenements to Ned.' 'Your money, sir ?'-'My money, sir, what all? Why,-if I must-then wept, 'I give it Paul.' If folly grow romantic, I must paint it. 10 Come then, the colours and the ground prepare! Dip in the rainbow, trick her off in air; Choose a firm cloud, before it fail, and in it Catch, ere she change, the Cynthia of this minute. 20 Rufa, whose eye, quick glancing o'er the park, Attracts each light gay meteor of a spark, |