Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 страници "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Страница 7
... Role - Player , Actress , Actor- Manager 172 13. Sexual Imagery in Coriolanus 186 14. Class Politics in Coriolanus 200 Notes Index 212 226 Acknowledgments TRAGIC INSTANCE BRINGS TOGETHER MY WRITINGS ON SHAKESPEARE'S tragedies 7.
... Role - Player , Actress , Actor- Manager 172 13. Sexual Imagery in Coriolanus 186 14. Class Politics in Coriolanus 200 Notes Index 212 226 Acknowledgments TRAGIC INSTANCE BRINGS TOGETHER MY WRITINGS ON SHAKESPEARE'S tragedies 7.
Страница 9
... Literature 1500-1900 . " Class as Motivation in Othello " and " Class Politics in Coriolanus " are taken from my Shakespeare and Social Class . 9 Introduction " THERE IS NO SUCH THING AS SHAKESPEARIAN TRAGEDY Acknowledgments.
... Literature 1500-1900 . " Class as Motivation in Othello " and " Class Politics in Coriolanus " are taken from my Shakespeare and Social Class . 9 Introduction " THERE IS NO SUCH THING AS SHAKESPEARIAN TRAGEDY Acknowledgments.
Страница 12
... politics . This three - phase ordering cannot , however , be a schema , but merely a way of thinking about Shake- speare's progress . The appeal to Aristotle does not , I think , recover much that is persistently useful in the ...
... politics . This three - phase ordering cannot , however , be a schema , but merely a way of thinking about Shake- speare's progress . The appeal to Aristotle does not , I think , recover much that is persistently useful in the ...
Страница 30
... political institutions that Rome ever had . The author seems anxious , not to get it all right , but to get it all in . " Waith's list yields up , as with all ritual and ceremony , a clenched grip on subterranean forces . Everywhere the ...
... political institutions that Rome ever had . The author seems anxious , not to get it all right , but to get it all in . " Waith's list yields up , as with all ritual and ceremony , a clenched grip on subterranean forces . Everywhere the ...
Страница 44
... political means to a political end . This is apparent in the extravagance and panache with which each part , within the central mode of actor , is pursued , M. C. Bradbrook has detailed several : " among the many parts in his wardrobe ...
... political means to a political end . This is apparent in the extravagance and panache with which each part , within the central mode of actor , is pursued , M. C. Bradbrook has detailed several : " among the many parts in his wardrobe ...
Съдържание
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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Страница 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
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Страница 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Страница 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Страница 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
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Страница 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Страница 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.