Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 страници "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Страница
... Antony and Cleopatra , " leech " in Timon of Ath- ens . Class as motivation is the key to Othello . Names and roles dominate Julius Caesar , while sexual imagery is decisive in Macbeth . In Hamlet , the ge- ography of Europe becomes ...
... Antony and Cleopatra , " leech " in Timon of Ath- ens . Class as motivation is the key to Othello . Names and roles dominate Julius Caesar , while sexual imagery is decisive in Macbeth . In Hamlet , the ge- ography of Europe becomes ...
Страница 7
... Antony and Cleopatra : Role - Player , Actress , Actor- Manager 172 13. Sexual Imagery in Coriolanus 186 14. Class Politics in Coriolanus 200 Notes Index 212 226 Acknowledgments TRAGIC INSTANCE BRINGS TOGETHER MY WRITINGS ON ...
... Antony and Cleopatra : Role - Player , Actress , Actor- Manager 172 13. Sexual Imagery in Coriolanus 186 14. Class Politics in Coriolanus 200 Notes Index 212 226 Acknowledgments TRAGIC INSTANCE BRINGS TOGETHER MY WRITINGS ON ...
Страница 12
... Antony and Cleo- patra is , as M. R. Ridley put it , an egoisme a deux.A A joint and mu- tual folly is refuted by a man who has no intention of taking part in anyone's tragedy save as compere and director . Rome enters the psychology of ...
... Antony and Cleo- patra is , as M. R. Ridley put it , an egoisme a deux.A A joint and mu- tual folly is refuted by a man who has no intention of taking part in anyone's tragedy save as compere and director . Rome enters the psychology of ...
Страница 13
... Antony are old soldiers , long past their best , and Timon is a sport of Nature . These are heroes whose " great- ness " belongs to the Age of Deference . Even the " social rank " rule is not absolute . When A. P. Rossiter says " I see ...
... Antony are old soldiers , long past their best , and Timon is a sport of Nature . These are heroes whose " great- ness " belongs to the Age of Deference . Even the " social rank " rule is not absolute . When A. P. Rossiter says " I see ...
Страница 16
... Antony , Othello . How can these cases be linked with waste ? Lear's life is over ; he has missed nothing but a short stay in Cordelia's nursing home . Macbeth and Othello have a giant crime to expiate , and death is a release . Antony ...
... Antony , Othello . How can these cases be linked with waste ? Lear's life is over ; he has missed nothing but a short stay in Cordelia's nursing home . Macbeth and Othello have a giant crime to expiate , and death is a release . Antony ...
Съдържание
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
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Страница 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Страница 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Страница 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Страница 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Страница 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Страница 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Страница 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Страница 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Страница 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.