And in his hand a windy fan did beare, That in the ydle ayre he mov'd still here and theare.' Book III. Canto XII. ver. 7, 8. The characters that follow must remind the reader of Collins' celebrated Ode to the Passions. Of Fear, "who started from the noise himself had made," Spenser says: 'Next to him was Feare, all armd from top to toe, As ashes pale of hew, and winged heeld, Which his right hand unarmed fearefully did wield.' Ver. 12. And Hope, who "smiled, and waved her golden hair," is thus represented: With him went Hope in rancke, a handsome mayd, In silken samite she was light arrayd, And her fayre locks were woven up in gold: Ver. 13. Britomarte, nothing dismayed by all these delusions, releases Amoret, and overthrows the power of the enchanter. The spirited description of Até, which occurs in the fourth book, yields to none of Spenser's strongest delineations, In this book, the poet alludes to Chaucer, and laments the loss of his works; the verse in which he solicits forgiveness of Chaucer's shade, for attempting to revive his "labour lost," is very beautiful. Britomarte, after many wanderings, at length encounters Artegal, her future lord; but they do not meet as lovers-entering immediately into a severe combat, when a stroke from Artegal uncovers the head of his adversary, and reveals her fair counte nance. 'And round about the same her yellow heare, Framed in goldsmithes forge with cunning hand; Throwes forth upon the rivage round about him nere.' Book IV. Canto VI. ver. 20, They are then reconciled, and become betrothed lovers, according to the decree of destiny. One of the most laboured parts of the poem is Sir Scudamour's account of the temple of Venus, and the manner in which he won the love of Amoret. After baffling Doubt, eluding Delay, and overcoming Danger, he entered the regions sacred to love and pleasure. "No tree that is of count in greenewood growes, "From lowest iuniper to ceder tall, "No flowre in field, that daintie odour throwes, "But there it present was, and did fraile sense entice." "Fresh shadowes, fit to shroud from sunny ray, "All which by Nature made did Nature selfe amaze."' Ver. 24. The whole description is very rich and minute, but too long. to permit our extracting it. The bridal of the Thames and the Medway, in copiousness of detail, in play of fancy, and descriptive beauty, excels most of his prior efforts. The nuptial feast is held at the palace of the sea-god Proteus, and all the powers of Ocean and Rivers, both great and small, attend, as in duty bound, upon its rites. 'First came great Neptune with his three-forkt mace, That rules the seas, and makes them rise or fall; His dewy lockes did drop with brine apace Under his diadem imperiall; And by his side his queene with coronall, Fair Amphitrite, most divinely faire, Whose yvorie shoulders weren covered all, As with a robe, with her owne silver haire, And deckt with pearles which th' Indian seas for her prepaire.' 'And after him the famous rivers came Canto XI. ver. 11. Which doe the earth enrich and beautifie; The fertile Nile, which creatures now doth frame; Long Rhodanus, whose source springs from the skie; Divine Scamander, purpled yet with blood Of Greekes and Troians, which therein did die; Pactolus, glistiring with his golden flood, And Tygris fierce, whose streames of none may be withstood: Great Ganges, and immortall Euphrates; Of warlike Amazons, which doe possesse the same.' Then came the bride, the lovely Medua came, To hide the metall, which yet every where It was no mortall worke, that seem'd and yet was not. Her goodly lockes adowne her backe did flow Both clad in colours like, and like array, The Doune and eke the Frith, both which prepar'd her way.' Ver. 45--47. We could go on extracting through the whole canto, but we must be contented in giving, as it were, an ensample of it, and referring those, who are pleased with our bill of fare, to the rich feast itself. The fifth and sixth books, containing the legends of Justice and Courtesy, are more tedious than the preceding ones, with fewer striking passages to redeem their monotony. The frequent recurrence of single combats renders them fatiguing; and by the time we arrive at Sir Calidore, the knight of Courtesy's contest with the Blatant Beast, we are heartily tired of the sounds of battle. The Blatant is described as possessing a hundred tongues of different animals, which must have discoursed most excellent music. All these tremendous weapons are employed to daunt Sir Calidore in vain. The strength of courage, and long suffering of courtesy, prevail, at last, over the fury of Malice, and the hundred voices of Slander. There are two cantos of an unfinished book, which treats of Mutability, in which are some fine passages. Mutability pleads her right to govern the world, and sets forth her argument with much eloquence. She produces, as evidences of her sway, the seasons, months, and hours-day and night, life and death; and in describing these different objects, the poet writes con amore. 'So forth issew'd the Seasons of the year; First lusty Spring, all dight in leaves of flowers And on his head (as fit for warlike stoures) A guilt engraven morion he did weare, That as some did him love, so others did him feare. Then came the iolly Sommer, being.dight He wore, from which, as he had chauffed been, Had hunted late the libbard or the bore, And now would bathe his limbes, with labor heated sore.' Canto VII. ver. 28, 29. The months next pass in succession, of which May, August, and December are the best specimens. 'Then came faire May, the fayrest mayd on ground And throwing flowres out of her lap around; The sixt was August, being rich arrayd In garment all of gold downe to the ground; With eares of corne, and full her hand was found; Liv'd here on earth, and plenty made abound, But after wrong was lov'd and iustice solde, Ver. 34. She left th' unrighteous world, and was to heaven extold.' 'And after him came next the chill December, VOL. II. 37 Ver. 37. And great bonfires, did not the cold remember, The same wherewith Dan Iove in tender yeares, Of which he freely drinks an health to all his peeres.' Ver. 41. Spenser has written several smaller poems, but their merits would not have secured him lasting fame, although in some of them we recognise a master's hand. His Shepherd's Calendar is tedious, though it contains some pleasing rural pictures. The following lines are written with much playfulness. 'It was upon a holy-day, When shepherds grooms han leave to play, 1 cast to go a shooting; Long wandring up and down the land, With bow and bolts in either hand, For birds in bushes tooting, At length within the ivy tod, And manfully thereat shot; With that sprang forth a naked swain, With spotted wings like peacock's train, And laughing lope to a tree; His gilden quiver at his back, And silver bow, which was but slack, Which lightly he bent at me : That seeing I level'd again, And shot at him with might and main, As thick as it had hailed. So long I shot, that all was spent, Tho pumy stones I hastily hent, And hit me running in the heel; For then I little smart did feel, But soon it sore increased; And now it rankleth more and more, And inwardly it festreth sore, Ne wote I how to cease it.' |