Being a coward in this, though valiant enough for the most part. Go to the damsel Priscilla, the loveliest maiden of Plymouth, Say that a blunt old Captain, a man not of words but of actions, Offers his hand and his heart, the hand and heart of a soldier. Not in these words, you know, but this in short is my mean ing; 65 I am a maker of war, and not a maker of phrases. of lovers, Such as you think best adapted to win the heart of a maiden." When he had spoken, John Alden, the fair-haired, taciturn stripling, 70 All aghast at his words, surprised, embarrassed, bewildered, Trying to mask his dismay by treating the subject with light ness, Trying to smile, and yet feeling his heart stand still in his bosom, Just as a timepiece stops in a house that is stricken by lightning, Thus made answer and spake, or rather stammered than answered: 75 "Such a message as that, I am sure I should mangle and mar it; If you would have it well done,-I am only repeating your maxim, You must do it yourself, you must not leave it to others!" But with the air of a man whom nothing can turn from his purpose, Gravely shaking his head, made answer the Captain of Plym outh: 80 "Truly the maxim is good, and I do not mean to gainsay it; But we must use it discreetly, and not waste powder for nothing. Now, as I said before, I was never a maker of phrases. render, But march up to a woman with such a proposal, I dare not. 85 I'm not afraid of bullets, nor shot from the mouth of a can non, But of a thundering 'No!' point-blank from the mouth of a woman, That I confess I'm afraid of, nor am I ashamed to confess it! So you must grant my request, for you are an elegant scholar, Having the graces of speech, and skill in the turning of phrases." 90 Taking the hand of his friend, who still was reluctant and doubtful, Holding it long in his own, and pressing it kindly, he added: "Though I have spoken thus lightly, yet deep is the feeling that prompts me; Surely you cannot refuse what I ask in the name of our friendship!" 95 Then made answer John Alden: "The name of friendship is sacred; What you demand in that name, I have not the power to deny you!" So the strong will prevailed, subduing and moulding the gentler, Friendship prevailed over love, and Alden went on his errand. III. THE LOVER'S ERRAND. So the strong will prevailed, and Alden went on his errand, building Towns in the populous trees, with hanging gardens of ver dūre, Peaceful, aerial cities of joy and affection and freedom. 5 All around him was calm, but within him commotion and conflict, Love contending with friendship, and self with each generous impulse. To and fro in his breast his thoughts were heaving and dash ing, 10 As in a foundering ship, with every roll of the vessel, Washes the bitter sea, the merciless surge of the ocean! "Must I relinquish it all," he cried with a wild lamenta tion, "Must I relinquish it all, the joy, the hope, the illusion? Was it for this I have loved, and waited, and worshipped in silence? Was it for this I have followed the flying feet and the shadow Over the wintry sea, to the desolate shores of New England? 15 Truly the heart is deceitful, and out of its depths of corrup tion Rise, like an exhalation, the misty phantoms of passion; 1 The hanging gardens of Babylon were regarded as one of the seven wonders of the ancient world. They were a mass of terraces supported by pillars and elaborate masonry, forming an artificial hill of pyramidal shape in the vast plain of the Euphrates. They had an area of four acres, and were covered with luxuriant vegetation of all kinds, which was irrigated from a reservoir at the summit of the whole. This is the hand of the Lord; it is laid upon me in anger, 20 For I have followed too much the heart's desires and de vices, Worshipping Astaroth blindly, and impious idols of Baal. This is the cross I must bear; the sin and the swift retribution." So through the Plymouth woods John Alden went on his errand; Crossing the brook at the ford, where it brawled over pebble and shallow, 25 Gathering still, as he went, the Mayflowers blooming around him, Fragrant, filling the air with a strange and wonderful sweet ness, Children lost in the woods, and covered with leaves in their slumber. 3 "Puritan flowers," he said, "and the type of Puritan maidens, Modest and simple and sweet, the very type of Priscilla! 30 So I will take them to her; to Priscilla the Mayflower of Plymouth, 1 More properly Ashtoreth, the goddess of love, and principal female divinity of the Phenicians. Like the Greek Astarte, she is identified with the moon, and is represented under the symbol of the crescent. Groves were favorite places of her worship, which is denounced in the Old Testament. See Judges, ii. 13, 1 Samuel, xii. 10, and 1 Kings, xi. 5, 43. 2 The supreme male deity of the Phenicians, representing the fertility and productive power of nature. He was worshipped as the sun-god, and incense, bulls, and human sacrifices, especially children, were offered to him. His worship, like that of Ashtoreth, was attended by wild and licentious orgies. See Joshua, xi. 17, Jeremiah, xxxii. 29, and 1 Kings, xvi. 32, and xviii. 26. 3 Children in the wood, or babes in the wood. An old English ballad of unknown authorship, preserved in Ritson's, Percy's, and other collections. The ballad was entered in the Stationer's Register, in 1595. In 1601 a play was published "of a young child murthered in a wood by two ruffins with the consent of his unkle." The plot of this play was undoubtedly derived from the Italian, and the ballad may have been produced from the same source. - Child. |