An Introduction to Literature: The nature of drama, by H. HeffnerHerbert Barrows, Hubert C. Heffner, John Ciardi, Gordon Norton Ray, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 343
... play may be imagined as occurring in a space ship in outer space , or in the year three thousand and fifty ; and yet it may be made dramatically probable and wholly convincing . The fairies in A Midsummer Night's Dream , and Ariel and ...
... play may be imagined as occurring in a space ship in outer space , or in the year three thousand and fifty ; and yet it may be made dramatically probable and wholly convincing . The fairies in A Midsummer Night's Dream , and Ariel and ...
Страница 353
... plays , beginning with The Wild Duck and culminating with his last play , When We Dead Awaken . In this scheme The Wild Duck is a transitional play , treating realistically a domestic situation with large social implications , but ...
... plays , beginning with The Wild Duck and culminating with his last play , When We Dead Awaken . In this scheme The Wild Duck is a transitional play , treating realistically a domestic situation with large social implications , but ...
Страница 570
... play be staged for comic effects ? What interpretations and emphases would be required so to stage it ? Which other scenes or episodes in the action are obviously and domi- nantly comic ? 2. Each of the characters in the play has some ...
... play be staged for comic effects ? What interpretations and emphases would be required so to stage it ? Which other scenes or episodes in the action are obviously and domi- nantly comic ? 2. Each of the characters in the play has some ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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Често срещани думи и фрази
action ACTORS afraid afther agen ALGERNON ÁNYA attic Aunt Augusta BARBARA Bentham BOYLE Bunbury BURGESS CANDIDA CECILY chair characters CHARLOTTE CHASUBLE cherry orchard child comedy comes comic crying darlin dear door drama DUNYASHA EKDAL Enter EPHIKHÓDOF Ernest Eugene Exit eyes FATHER feel FIRS GAYEF GINA give goes goin Graaberg GREGERS GUEST GWENDOLEN hand happy hear heard HEDVIG HJALMAR JACK James JERRY JOHNNY JOXER Juno LADY BRACKNELL laughing LEADING LADY LEXY live look LOPÁKHIN MADAME PACE MADAME RANÉVSKY MADIGAN mamma MANAGER MARCHBANKS married MARY mean MERRIMAN MISS PRISM Molvik MORELL mother never nice pause PETTERSEN PÍSHTCHIK play poor PROSERPINE RELLING sits sofa SÖRBY speak stand STEPDAUGHTER suppose sure talk tell Thank There's thing thought to-morrow TROPHÍMOF turning understand voice wait WERLE What's wild duck woman YÁSHA