An Introduction to Literature: The nature of drama, by H. HeffnerHerbert Barrows, Hubert C. Heffner, John Ciardi, Gordon Norton Ray, Wallace Warner Douglas Houghton Mifflin, 1959 - 1331 страници This collection is designed to introduce college students to literature. Each volume focuses on a specific area, wherein the characteristics, conventions, and special effects of each kind of writing are set out, the critical terms are introduced, and each editor brings their viewpoint to the task. The editors of this book see literature as an unending source of delight, and propose analysis to the student not as an end in itself, but as a means of widening the range of comprehension, the deepening of enjoyment for literature as more fully comprehended. Each book features introductions that explore the type of literature addressed, brief author biographies, and a series of questions designed to allow students to exercise their critical and analytical faculties. |
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Страница 428
... question or questions are raised and left un- answered at the end of Act One ? Are there any other devices or means of raising interest in this first act ? 2. Trace and list the sequence of major complications and resolutions which ...
... question or questions are raised and left un- answered at the end of Act One ? Are there any other devices or means of raising interest in this first act ? 2. Trace and list the sequence of major complications and resolutions which ...
Страница 570
... QUESTIONS 1. Could the opening scene of the play be staged for comic effects ? What interpretations and emphases would be required so to stage it ? Which other scenes or episodes in the action are obviously and domi- nantly comic ? 2 ...
... QUESTIONS 1. Could the opening scene of the play be staged for comic effects ? What interpretations and emphases would be required so to stage it ? Which other scenes or episodes in the action are obviously and domi- nantly comic ? 2 ...
Страница 572
... questions of reality and existence ? Pirandello is a master of such paradoxes . Like Wilde and Shaw , he employs them for comic effects , but he employs them chiefly to raise questions about the nature of man and of reality . THE FATHER ...
... questions of reality and existence ? Pirandello is a master of such paradoxes . Like Wilde and Shaw , he employs them for comic effects , but he employs them chiefly to raise questions about the nature of man and of reality . THE FATHER ...
Съдържание
INTRODUCTION | 339 |
Henrik Ibsen | 352 |
Oscar Wilde | 430 |
Авторско право | |
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action ACTORS afraid afther agen ALGERNON ÁNYA attic Aunt Augusta BARBARA Bentham BOYLE Bunbury BURGESS CANDIDA CECILY chair characters CHARLOTTE CHASUBLE cherry orchard child comedy comes comic crying darlin dear door drama DUNYASHA EKDAL Enter EPHIKHÓDOF Ernest Eugene Exit eyes FATHER feel FIRS GAYEF GINA give goes goin Graaberg GREGERS GUEST GWENDOLEN hand happy hear heard HEDVIG HJALMAR JACK James JERRY JOHNNY JOXER Juno LADY BRACKNELL laughing LEADING LADY LEXY live look LOPÁKHIN MADAME PACE MADAME RANÉVSKY MADIGAN mamma MANAGER MARCHBANKS married MARY mean MERRIMAN MISS PRISM Molvik MORELL mother never nice pause PETTERSEN PÍSHTCHIK play poor PROSERPINE RELLING sits sofa SÖRBY speak stand STEPDAUGHTER suppose sure talk tell Thank There's thing thought to-morrow TROPHÍMOF turning understand voice wait WERLE What's wild duck woman YÁSHA