Get the Guests: Psychoanalysis, Modern American Drama, and the AudienceUniv of Wisconsin Press, 1994 - 286 страници Through a detailed reading of five great modern American plays--The Iceman Cometh, A Streetcar Named Desire, Death of a Salesman, Long Day's Journey Into Night, and Who's Afraid of Virginia Woolf?--Walter A. Davis calls for a more penetrating look at drama and its psychological impact on the audience. Establishing connections between literary criticism and psychoanalysis, he challenges ruling assumptions of both disciplines. Unconventional and original, his theory demonstrates how the theater, as a potential threat to social order, expresses the secrets and discontents of its audience. |
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Страница xi
... Blame and the Circle of Displacements The Family and / as Drama 147 Folie à la famille 149 Blame's Metonymy 150 The Play of Solicitude 154 Act II : Guilt and the System of Defenses Scene i 160 Masks 160 The Addition of the Third Actor ...
... Blame and the Circle of Displacements The Family and / as Drama 147 Folie à la famille 149 Blame's Metonymy 150 The Play of Solicitude 154 Act II : Guilt and the System of Defenses Scene i 160 Masks 160 The Addition of the Third Actor ...
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Страница 65
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Страница 93
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Страница 113
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Съдържание
The Medusa and the Shield | 3 |
The Iceman Cometh | 13 |
A Streetcar Named Desire | 60 |
Death of a Salesman | 103 |
Long Days Journey into Night | 147 |
Whos Afraid | 209 |
Entering the CryptBeyond Reparation and | 263 |
279 | |
Други издания - Преглед на всички
Често срещани думи и фрази
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