The Plays of William Shakspeare: With the Corrections and Illustrations of Various Commentators, to which are Added Notes, Том 4J. Johnson, 1803 |
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Страница 2
... never a fervant monfier in the fair , who can help it , he fays , nor a neft of antiques ? He is loth to make nature afraid in his plays , like those that beget Tales , Tempests , and fuch like drolleries . " STEEVENS . I was informed ...
... never a fervant monfier in the fair , who can help it , he fays , nor a neft of antiques ? He is loth to make nature afraid in his plays , like those that beget Tales , Tempests , and fuch like drolleries . " STEEVENS . I was informed ...
Страница 12
... more greater than Cassandra now . ” STEEVENS . full poor cell , ] i . e . a cell in a great degree of poverty . So , in Antony and Cleopatra : " I am full forry . " STEEVENS . MIRA . More to know Did never meddle with my 12 TEMPEST .
... more greater than Cassandra now . ” STEEVENS . full poor cell , ] i . e . a cell in a great degree of poverty . So , in Antony and Cleopatra : " I am full forry . " STEEVENS . MIRA . More to know Did never meddle with my 12 TEMPEST .
Страница 13
... never meddle with my thoughts . ] i . e . mix with them . To meddle is often used , with this fenfe , by Chaucer . Hence the fubftantive medley . The modern and familiar phrafe by which that of Miranda may be explained , is - never ...
... never meddle with my thoughts . ] i . e . mix with them . To meddle is often used , with this fenfe , by Chaucer . Hence the fubftantive medley . The modern and familiar phrafe by which that of Miranda may be explained , is - never ...
Страница 33
... never practised , were of opi- nion , with more reafon , that the power of charms arofe only from compact , and was no more than the fpirits voluntarily allowed them for the feduction of man . The art was held by all , though not ...
... never practised , were of opi- nion , with more reafon , that the power of charms arofe only from compact , and was no more than the fpirits voluntarily allowed them for the feduction of man . The art was held by all , though not ...
Страница 36
... never Yields us kind answer . MIRA . I do not love to look on . PRO . ' Tis a villain , fir , But , as ' tis , play to the latter of thefe lines , by the careleffnéfs of the tranfcriber or printer , the editor of the fecond folio , to ...
... never Yields us kind answer . MIRA . I do not love to look on . PRO . ' Tis a villain , fir , But , as ' tis , play to the latter of thefe lines , by the careleffnéfs of the tranfcriber or printer , the editor of the fecond folio , to ...
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againſt alfo ancient Antony and Cleopatra Ariel becauſe beft Caliban called Demetrius doth DUKE elfe Exeunt expreffion eyes faid fairy fame fays fecond feems fenfe fervant fhall fhould fignifies fince fing firft firſt fleep folio fome fometimes fong foul fpeak fpeech fpirits ftand ftill ftrange fuch fuppofed fure fweet Gentlemen of Verona hath Hermia himſelf houſe inftance JOHNSON Julia King lady LAUN loft lord Lyfander mafter MALONE means meaſure Milan MIRA miſtreſs moft moon moſt mufick muft muſt myſelf night Oberon obferves Othello paffage play pleaſe prefent Profpero Proteus PUCK purpoſe Pyramus quarto Queen reaſon Richard III RITSON ſay ſcene ſeems Shakspeare Shakspeare's ſhall ſhe Silvia ſpeak SPEED STEEVENS ſweet thee thefe Theobald theſe thofe thoſe thou Thurio Titania tranflation TRIN ufed uſed Valentine Warburton whofe word