Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 страници |
Между кориците на книгата
Резултати 1 - 5 от 61.
Страница 1
... speeches within the narrative ) is its bantering dialogue after the ritualized octet , capped by the shared split - line finale to a protracted quatrain : Juliet Saints do not move , though grant for prayers ' sake . Romeo Then move not ...
... speeches within the narrative ) is its bantering dialogue after the ritualized octet , capped by the shared split - line finale to a protracted quatrain : Juliet Saints do not move , though grant for prayers ' sake . Romeo Then move not ...
Страница 2
... speech as in- sincere , the self - consciously literary first conversation between Romeo and Juliet seems a signal for skepticism . In concert with Romeo's recent expres- sion of infatuation with Rosaline , nearly identical in its form ...
... speech as in- sincere , the self - consciously literary first conversation between Romeo and Juliet seems a signal for skepticism . In concert with Romeo's recent expres- sion of infatuation with Rosaline , nearly identical in its form ...
Страница 3
... speech , which again invokes the tropes of Petrarchan sonneteering but in a tomb that transforms their meaning , when we look at the cultural stage on which such lyricism is performed , the perspective shift creates a rich and complex ...
... speech , which again invokes the tropes of Petrarchan sonneteering but in a tomb that transforms their meaning , when we look at the cultural stage on which such lyricism is performed , the perspective shift creates a rich and complex ...
Страница 17
... speech is more often a shadowy refraction than a transparent reflection of a charac- ter's intention , personality , or significance . Love poetry that at first glance appears only the idle amusement of literate courtiers may become the ...
... speech is more often a shadowy refraction than a transparent reflection of a charac- ter's intention , personality , or significance . Love poetry that at first glance appears only the idle amusement of literate courtiers may become the ...
Страница 19
... speech , is often used automatically and exclusively to label all courtly love rhetoric as mi- sogynist and homosocial ; this submerged formalist attack comes from a very different position than the earlier tradition of masculinist ...
... speech , is often used automatically and exclusively to label all courtly love rhetoric as mi- sogynist and homosocial ; this submerged formalist attack comes from a very different position than the earlier tradition of masculinist ...
Съдържание
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Често срещани думи и фрази
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Популярни откъси
Страница 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Страница 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Страница 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Препратки към тази книга
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Ограничен достъп - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Ограничен достъп - 1997 |