Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 страници |
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Резултати 1 - 5 от 39.
Страница 14
... serving the critic's desire to associate the poet with ( properly sublimated ) " manliness . " Among twentieth - century critics , these inherited associations of gender and genre recur , sometimes in unexpected and perhaps unintended ...
... serving the critic's desire to associate the poet with ( properly sublimated ) " manliness . " Among twentieth - century critics , these inherited associations of gender and genre recur , sometimes in unexpected and perhaps unintended ...
Страница 19
... serve as a defensive weapon against obscure objects of desire , a way to further objectify the threat of an Other through a rhetorical " sparagmos " ; it is also true that in England , and not just in Faerieland , Petrarchan idealism ...
... serve as a defensive weapon against obscure objects of desire , a way to further objectify the threat of an Other through a rhetorical " sparagmos " ; it is also true that in England , and not just in Faerieland , Petrarchan idealism ...
Страница 20
... served ) , favoring an ap- proach more sensitive to the diversity and variation of courtly love tropes onstage.20 Like any popular mode of expression , the rhetoric of courtly lyric was molded variously ; indeed , this capacity for play ...
... served ) , favoring an ap- proach more sensitive to the diversity and variation of courtly love tropes onstage.20 Like any popular mode of expression , the rhetoric of courtly lyric was molded variously ; indeed , this capacity for play ...
Страница 32
... serves as a corrective to recent new historicist and feminist study involving poetic texts . 27. This opposition is a familiar critical move , evident in most studies of Mar- lowe's Dido as well as more broadly influential studies of ...
... serves as a corrective to recent new historicist and feminist study involving poetic texts . 27. This opposition is a familiar critical move , evident in most studies of Mar- lowe's Dido as well as more broadly influential studies of ...
Страница 33
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Съдържание
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Често срещани думи и фрази
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
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Страница 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Страница 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Страница 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
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