Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 страници |
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Страница 5
... means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and Juliet by social corruption and violence , to produce the most popular of love ...
... means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and Juliet by social corruption and violence , to produce the most popular of love ...
Страница 6
... mean , culturally and aesthetically , that an exceptional number of poets succeeded in writing both plays and lyric poems ? Why did playwrights include lyrical poetry in their narrative dramas ? And what was the network of relationships ...
... mean , culturally and aesthetically , that an exceptional number of poets succeeded in writing both plays and lyric poems ? Why did playwrights include lyrical poetry in their narrative dramas ? And what was the network of relationships ...
Страница 15
... means of derogation . " Effeminate " Petrarchism has sometimes been opposed to the moral rectitude of " plain stylists " ( an influ- ential critical category , including Donne , Ralegh , Jonson , and Greville— at least three of whom ...
... means of derogation . " Effeminate " Petrarchism has sometimes been opposed to the moral rectitude of " plain stylists " ( an influ- ential critical category , including Donne , Ralegh , Jonson , and Greville— at least three of whom ...
Страница 20
... mean , however , that Passion Made Public is any less involved in the intellectual task of women's studies and cultural criticism than are these feminist critiques and compa- rable material historicist ones . While we , like ...
... mean , however , that Passion Made Public is any less involved in the intellectual task of women's studies and cultural criticism than are these feminist critiques and compa- rable material historicist ones . While we , like ...
Страница 36
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Съдържание
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Често срещани думи и фрази
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Популярни откъси
Страница 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Страница 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Страница 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
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Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Ограничен достъп - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Ограничен достъп - 1997 |