Shakespeare Studies, Том 27Leeds Barroll Fairleigh Dickinson Univ Press, 1999 - 296 страници Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres. |
Съдържание
| 9 | |
| 11 | |
| 19 | |
| 25 | |
Complicity and the Genesis of Shakespearean Dramatic Discourse | 37 |
Harry Bergers Drama of Passive Aggression | 42 |
Recovering the Terror of Trifles | 51 |
Reading Harry Berger | 65 |
John D Cox and David Scott Kastan eds A New History of Early English Drama | 225 |
Mario DiGangi The Homoerotics of Early Modern Drama | 230 |
Elizabeth Fowler and Roland Greene eds The Project of Prose in Early Modern Europe and the New World | 233 |
Richard Halpern Shakespeare Among the Moderns | 236 |
Culture Poetics and Drama | 241 |
Fantasies of Corporeality in Early Modern Europe | 248 |
A Feminist Account of Shakespeares English Histories | 253 |
Warriors Wounds Women | 257 |
The Courts in Early Modern England | 77 |
History and Literary History | 94 |
Mingling Vice and Worthiness in King John | 109 |
The Language of Treason in Richard II | 134 |
An Introduction to the Issues of Authorship and Construction | 161 |
Beautys Poisonous Properties | 187 |
Shakespeare Spenser Marvell and the Question of Britain Christopher Highley Shakespeare Spenser and the Crisis in Ireland | 213 |
Michael D Bristol Big Time Shakespeare | 219 |
Domestic Plays of Early Modern England | 223 |
The Genealogy of the Event in Early Modern Europe | 260 |
Claire McEachern and Debora Shuger eds Religion and Culture in Renaissance England | 266 |
Mortality and Identity in English Renaissance Tragedy | 273 |
Essays in Politics and Political Culture | 276 |
Helen Wilcox ed Women and Literature in Britain 15001700 | 279 |
WB Worthen Shakespeare and the Authority of Performance | 282 |
Index | 289 |
Често срещани думи и фрази
actors allegory amanuensis analysis Angus Fletcher Arbella Stuart argues argument authority Bastard body Bolingbroke's calls Cambridge University Press Cavell chapter characters claims complicity context cosmetics court criticism cultural death DiGangi discourse drama Early Modern England effect Elizabeth Elizabethan essays Essex example face-paints Faulconbridge female feminist gender genre Gowing Hamlet hand Harry Berger Henry Henry VI historicism idea interpretation Ireland King John Lady language language-games Lear letter Lezra literary literature London Lucretian meaning Measure for Measure narrative Neill Oxford painted performance person play's poison political practice production question readers reading relation Renaissance representation revenge tragedy Revenger's Tragedy rhetorical Richard Richard II scene scholars secretary seems sense sexual Shakespeare Similarly social speech Spenser stage Stanley Cavell Stephen Gosson suggests Tamburlaine textual theater theatrical theory tion tragedy treason Trifles of Terrors Tudor Vice woman women words Worthen writing written
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Страница 140 - Suggest his soon-believing adversaries ; And, consequently, like a traitor coward, Sluic'd out his innocent soul through streams of blood : Which blood, like sacrificing Abel's, cries, Even from the tongueless caverns of the earth, To me, for justice and rough chastisement; And, by the glorious wonti of my descent, This arm shall do it, or this life be spent.
Страница 59 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; •• Or in the night, imagining some fear, How easy is a bush supposed a bear?
Страница 60 - So, when this loose behaviour I throw off, And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes ; And, like bright metal on a sullen ground, My reformation, glittering o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Страница 60 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen, I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours, that did seem to strangle him.
Страница 60 - Rise from the ground like feathered Mercury, And vaulted with such ease into his seat As if an angel dropped down from the clouds, To turn and wind a fiery Pegasus, And witch the world with noble horsemanship.
Страница 60 - Glittering in golden coats, like images ; As full of spirit as the month of May, And gorgeous as the sun at midsummer; " Wanton as youthful goats, wild as young bulk.
Страница 69 - I see that when souls reach a certain clearness of perception they accept a knowledge and motive above selfishness. A breath of will blows eternally through the universe of souls in the direction of the Right and Necessary. It is the air which all intellects inhale and exhale, and it is the wind which blows the worlds into order and orbit.
Страница 20 - They say miracles are past ; and we have our philosophical persons, to make modern and familiar, things supernatural and causeless. Hence is it that we make trifles of terrors ; ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear.
Страница 158 - ... when a man doth compass or imagine the death of our lord the King, or of our lady his Queen or of their eldest son and heir...
Страница 123 - And with regard to authority, it shows a feeble mind to grant so much to authors and yet deny time his rights, who is the author of authors, nay, rather of all authority. For rightly is truth called the daughter of time, not of authority.