Love's Labour's LostPenguin UK, 29.09.2005 г. - 288 страници A King and his lords form an austere academy, swearing to have no contact with women for three years. But when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity. |
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... stage surmounted by a canopy and jutting into the area where spectators who paid one penny stood, and surrounded by galleries where it was possible to be seated on payment of an additional penny. Though properties such as cauldrons ...
... stage surmounted by a canopy and jutting into the area where spectators who paid one penny stood, and surrounded by galleries where it was possible to be seated on payment of an additional penny. Though properties such as cauldrons ...
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... stages cluttered with scenery and elaborate costumes, its verbal virtuosity must have seemed odd and irrelevant. On today's bare, or nearly bare, boards, the lines sing, crackle with wit, or creak along with laughable pedantry (each ...
... stages cluttered with scenery and elaborate costumes, its verbal virtuosity must have seemed odd and irrelevant. On today's bare, or nearly bare, boards, the lines sing, crackle with wit, or creak along with laughable pedantry (each ...
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... more formal rejections: these constitute the comedy. And they are but heightened, courtly forms of those words, disguises, illusions, conventions, and directed actions through which we all live on the world's great stage.
... more formal rejections: these constitute the comedy. And they are but heightened, courtly forms of those words, disguises, illusions, conventions, and directed actions through which we all live on the world's great stage.
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William Shakespeare. through which we all live on the world's great stage. So this most private play is also thoroughly public. Not about French politics, and still less about 'the school of night', Love's Labour's Lost investigates ...
William Shakespeare. through which we all live on the world's great stage. So this most private play is also thoroughly public. Not about French politics, and still less about 'the school of night', Love's Labour's Lost investigates ...
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... stage before us. The Pageant has prepared us for the greatest shock in Shakespeare: Enter a messenger, Monsieur Marcade MARCADE God save you, madam. PRINCESS Welcome, Marcade, But that thou interruptest our merriment. MARCADE I am sorry ...
... stage before us. The Pageant has prepared us for the greatest shock in Shakespeare: Enter a messenger, Monsieur Marcade MARCADE God save you, madam. PRINCESS Welcome, Marcade, But that thou interruptest our merriment. MARCADE I am sorry ...
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actors Aquitaine ARMADO audience bawdy BEROWNE Berowne’s BOYET braggart characters comedy comic compositor Costard cuckoo Cupid dance death doth Dull DUMAINE edition editors Elizabethan emendation Enter Exeunt Exit fair father favour fool forsworn foul papers France give goose grace hath hear heart heaven Hector Henry Hercules HOLOFERNES Holofernes’s honour horns Jaquenetta Judas Judas Maccabaeus Katharine King King Lear King’s l’envoy lady letter light Longaville lords Love’s Labour’s Lost lovers madam Marcade MARIA means Midsummer Night’s Dream mistress mock MOTE Mote’s Nathaniel Navarre Navarre’s night Nine Worthies o’er oath play play’s Pompey praise PRINCESS printed Q and F Q or F quibbling reading rhyme Romeo and Juliet Rosaline Rosaline’s scene school of night sense Shakespeare Shakespearian sing song Sonnets sore speech prefixes stage direction sweet theatre thee thou tongue visor wench woman women word