Love's Labour's LostPenguin UK, 29.09.2005 г. - 288 страници A King and his lords form an austere academy, swearing to have no contact with women for three years. But when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity. |
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... grounded in classical rhetoric and oratory, studying authors such as Ovid, Cicero and Quintilian, and would have been required to read, speak, write and even think in Latin from his early years. This classical General Introduction.
... grounded in classical rhetoric and oratory, studying authors such as Ovid, Cicero and Quintilian, and would have been required to read, speak, write and even think in Latin from his early years. This classical General Introduction.
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... speak for me: I am forsworn on mere 'necessity'. I.1.147–52 That Shakespeare was in sympathy with this can be deduced from a number of plays, not just Love's Labour's Lost. Consider Measure for Measure. There we are shown a man who ...
... speak for me: I am forsworn on mere 'necessity'. I.1.147–52 That Shakespeare was in sympathy with this can be deduced from a number of plays, not just Love's Labour's Lost. Consider Measure for Measure. There we are shown a man who ...
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... speak to a woman', he says, and 'Such is the sinplicity of man to hearken after the flesh' (I.1.206–7, 214–15). Costard, it could be said, adds practice to Berowne's precept. But his position in the comic dialectic is more interesting ...
... speak to a woman', he says, and 'Such is the sinplicity of man to hearken after the flesh' (I.1.206–7, 214–15). Costard, it could be said, adds practice to Berowne's precept. But his position in the comic dialectic is more interesting ...
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actors Aquitaine ARMADO audience bawdy BEROWNE Berowne’s BOYET braggart characters comedy comic compositor Costard cuckoo Cupid dance death doth Dull DUMAINE edition editors Elizabethan emendation Enter Exeunt Exit fair father favour fool forsworn foul papers France give goose grace hath hear heart heaven Hector Henry Hercules HOLOFERNES Holofernes’s honour horns Jaquenetta Judas Judas Maccabaeus Katharine King King Lear King’s l’envoy lady letter light Longaville lords Love’s Labour’s Lost lovers madam Marcade MARIA means Midsummer Night’s Dream mistress mock MOTE Mote’s Nathaniel Navarre Navarre’s night Nine Worthies o’er oath play play’s Pompey praise PRINCESS printed Q and F Q or F quibbling reading rhyme Romeo and Juliet Rosaline Rosaline’s scene school of night sense Shakespeare Shakespearian sing song Sonnets sore speech prefixes stage direction sweet theatre thee thou tongue visor wench woman women word