Love's Labour's LostPenguin UK, 29.09.2005 г. - 288 страници A King and his lords form an austere academy, swearing to have no contact with women for three years. But when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity. |
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... Lives of the Noble Grecians and Romans by the Greek writer Plutarch, finely translated into English from the French by Sir Thomas North in 1579, provided much of the narrative material, and also a mass of verbal detail, for his plays ...
... Lives of the Noble Grecians and Romans by the Greek writer Plutarch, finely translated into English from the French by Sir Thomas North in 1579, provided much of the narrative material, and also a mass of verbal detail, for his plays ...
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... more formal rejections: these constitute the comedy. And they are but heightened, courtly forms of those words, disguises, illusions, conventions, and directed actions through which we all live on the world's great stage.
... more formal rejections: these constitute the comedy. And they are but heightened, courtly forms of those words, disguises, illusions, conventions, and directed actions through which we all live on the world's great stage.
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William Shakespeare. through which we all live on the world's great stage. So this most private play is also ... lives, Live registered upon our brazen tombs, And then grace us in the disgrace of death; When, spite of cormorant devouring ...
William Shakespeare. through which we all live on the world's great stage. So this most private play is also ... lives, Live registered upon our brazen tombs, And then grace us in the disgrace of death; When, spite of cormorant devouring ...
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... live, love, and be bereft in, it preserves its symmetries throughout. Perhaps as a consequence of this, its genius is dialectical. Speech answers speech and character balances character. The grand design is held together by organized ...
... live, love, and be bereft in, it preserves its symmetries throughout. Perhaps as a consequence of this, its genius is dialectical. Speech answers speech and character balances character. The grand design is held together by organized ...
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... lives' (I.1.1). Evidently the Princess would agree with Berowne that the 'affects' should be respected. But her speech is in one way more critical of the academy than anything which that courtier had been able to muster. Berowne's love ...
... lives' (I.1.1). Evidently the Princess would agree with Berowne that the 'affects' should be respected. But her speech is in one way more critical of the academy than anything which that courtier had been able to muster. Berowne's love ...
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actors Aquitaine ARMADO audience bawdy BEROWNE Berowne’s BOYET braggart characters comedy comic compositor Costard cuckoo Cupid dance death doth Dull DUMAINE edition editors Elizabethan emendation Enter Exeunt Exit fair father favour fool forsworn foul papers France give goose grace hath hear heart heaven Hector Henry Hercules HOLOFERNES Holofernes’s honour horns Jaquenetta Judas Judas Maccabaeus Katharine King King Lear King’s l’envoy lady letter light Longaville lords Love’s Labour’s Lost lovers madam Marcade MARIA means Midsummer Night’s Dream mistress mock MOTE Mote’s Nathaniel Navarre Navarre’s night Nine Worthies o’er oath play play’s Pompey praise PRINCESS printed Q and F Q or F quibbling reading rhyme Romeo and Juliet Rosaline Rosaline’s scene school of night sense Shakespeare Shakespearian sing song Sonnets sore speech prefixes stage direction sweet theatre thee thou tongue visor wench woman women word