Love's Labour's LostPenguin UK, 29.09.2005 г. - 288 страници A King and his lords form an austere academy, swearing to have no contact with women for three years. But when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity. |
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... Actors. JOHN KERRIGAN is Professor of English 2000 at the University of Cambridge and Fellow of St John's College. Among his books are Revenge Tragedy: Aeschylus to Armageddon, which won the Truman Capote Award for Literary Criticism ...
... Actors. JOHN KERRIGAN is Professor of English 2000 at the University of Cambridge and Fellow of St John's College. Among his books are Revenge Tragedy: Aeschylus to Armageddon, which won the Truman Capote Award for Literary Criticism ...
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... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
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... actor often played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation ...
... actor often played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation ...
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William Shakespeare. ever played by a male actor over the age of about eighteen. Shakespeare had enough confidence in ... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the ...
William Shakespeare. ever played by a male actor over the age of about eighteen. Shakespeare had enough confidence in ... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the ...
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... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
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actors Aquitaine ARMADO audience bawdy BEROWNE Berowne’s BOYET braggart characters comedy comic compositor Costard cuckoo Cupid dance death doth Dull DUMAINE edition editors Elizabethan emendation Enter Exeunt Exit fair father favour fool forsworn foul papers France give goose grace hath hear heart heaven Hector Henry Hercules HOLOFERNES Holofernes’s honour horns Jaquenetta Judas Judas Maccabaeus Katharine King King Lear King’s l’envoy lady letter light Longaville lords Love’s Labour’s Lost lovers madam Marcade MARIA means Midsummer Night’s Dream mistress mock MOTE Mote’s Nathaniel Navarre Navarre’s night Nine Worthies o’er oath play play’s Pompey praise PRINCESS printed Q and F Q or F quibbling reading rhyme Romeo and Juliet Rosaline Rosaline’s scene school of night sense Shakespeare Shakespearian sing song Sonnets sore speech prefixes stage direction sweet theatre thee thou tongue visor wench woman women word