THE original story on which this play is built, may be found in Saxo Grammaticus, the Danish historian. From thence Belleforest adopted it in his collection of novels, in seven volumes, which he began in 1565, and continued to publish through succeeding years. From this work, The Hystorie of Hamblett, quarto, bl. 1. was translated. I have hitherto met with no earlier edition of the play than one in the year 1604, though it must have been performed before that time, as I have seen a copy of Speght's edition of Chaucer, which formerly belonged to Dr. Gabriel Harvey (the antagonist of Nash), who, in his own hand-writing, has set down Hamlet, as a performance with which he was well acquainted, in the year 1598. His words are these: "The younger sort take much delight in Shakspeare's Venus and Adonis; but his Lucrece, and his tragedy of Hamlet Prince of Denmarke, have it in them to please the wiser sort, 1598." In the books of the Stationers' Company, this play was entered by James Roberts, July 26, 1602, under the title of "A booke called The Revenge of Hamlett, Prince of Denmarke, as it was lately acted by the lord Chamberlain his servantes." In Eastward Hoe, by George Chapman, Ben Jonson, and John Marston, 1605, is a fling at the hero of this tragedy. A footman named Hamlet enters, and a tankard-bearer asks him -"Sfoote, Hamlet, are you mad?" The frequent allusions of contemporary authors to this play sufficiently show its popularity. Thus, in Decker's Belman's Nightwalkes, 4to, 1612, we have-" But if any mad Hamlet, hearing this, smell villainie, and rush in by vio lence to see what the tawny diuels (gypsies) are dooing, then they excuse the fact," &c. Again, in an old collection of satirical poems, called The Night-Raven, is this couplet: "I will not cry Hamlet Revenge my greeves, "But I will call Hangman, Revenge on thieves." STEEVENS. Surely no satire was intended in Eastward Hoe, which was acted at Shakspeare's own playhouse (Blackfriars), by the children of the revels, in 1605. MALONE. The following particulars relative to the date of this piece, are borrowed from Dr. Farmer's Essay on the Learning of Shakspeare, p. 85, 86, second edition : "Greene, in the Epistle prefixed to his Arcadia, hath a lash at some 'vaine glorious tragedians,' and very plainly at Shakspeare in particular. I leave all these to the mercy of their mother-tongue, that feed on nought but the crums that fall from the translators trencher.-That could scarcely latinize their neck verse if they should have neede, yet English Seneca, read by candlelight, yields many good sentences-hee will afford you whole Hamlets, I should say, handfuls of tragicall speeches.'-I cannot determine exactly when this Epistle was first published; but, I fancy, it will carry the original Hamlet somewhat further back than we have hitherto done and it may be observed, that the oldest copy now extant is said to be enlarged to almost as much againe as it was.' Gabriel Harvey printed at the end of the year 1592, 'Foure Letters and certaine Sonnetts, especially touching Robert Greene:' in one of which his Arcadia is mentioned. Now Nash's Epistle must have been previous to these, as Gabriel is quoted in it with applause; and the Foure Letters, were the beginning of a quarrel. Nash replied in 'Strange News of the intercepting certaine Letters, and a Convoy of Verses, as they were going privilie to victual the Low Countries, 1593.' Harvey rejoined the same year in 'Pierce's Supererogation, or a new Praise of the old Asse.' And Nash again, in 'Have with you to Saffron Walden, or Gabriell Harvey's Hunt is up;' containing a full answer to the eldest sonne of the halter-maker, 1596."-Nash died before 1606, as appears from an old comedy called The Return from Parnassus. STEEVENS. A play on the subject of Hamlet had been exhibited on the stage before the year 1589, of which Thomas Kyd was, I believe, the author. On that play, and on the bl. 1. Historie of Hamblet, our poet, I conjecture, coustructed the tragedy before us. The earliest edition of the prose-narrative which I have seen was printed in 1608, but it undoubtedly was a republication. Shakspeare's Hamlet was written, if my conjecture be well founded, in 1600. MALONE. HAMLET, PRINCE OF DENMARK. If the dramas of Shakspeare were to be characterised, each by the particular excellence which distinguishes it from the rest, we must allow to the tragedy of Hamlet the praise of variety. The incidents are so numerous, that the argument of the play would make a long tale. The scenes are interchangeably diversified with merriment and solemnity with merriment that includes judicious and instructive observations; and solemnity not strained by poetical violence above the natural sentiments of man. New characters appear from time to time in continual succession, exhibiting various forms of life, and particular modes of conversation. The pretended madness of Hamlet causes much mirth, the mournful distraction of Ophelia fills the heart with tenderness, and every personage produces the effect intended, from the apparition that, in the first act, chills the blood with horror, to the fop in the last, that exposes affectation to just contempt. The conduct is, perhaps, not wholly secure against objections. The action is indeed, for the most part, in continual progression; but there are some scenes which neither forward nor retard it. Of the feigned madness of Hamlet there appears no adequate cause, for he does nothing which he might not have done with the reputation of sanity. He plays the madman most, when he treats Ophelia with so much rudeness, which seems to be useless and wanton cruelty. Hamlet is, through the whole piece, rather an instrument than an agent. After he has, by the stratagem of the play, convicted the king, he makes no attempt to punish him; and his death is at last effected by an incident which Hamlet had no part in producing. The catastrophe is not very happily produced; the exchange of weapons is rather an expedient of necessity, than a stroke of art. A scheme might easily be formed, to kill Hamlet with the dagger, and Laertes with the bowl. The poet is accused of having shewn little regard to poetical justice, and may be charged with equal neglect of poetical probability. The apparition left the regions of the dead to little purpose: the revenge which he demands is not obtained, but by the death of him that was required to take it and the gratification, which would arise from the destruction of an usurper and a murderer, is abated by the untimely death of Ophelia, the young, the beautiful, the harmless, and the pious. Johnson. ACT I. MARCELLUS, } Officers. BERNARDO, FRANCISCO, a Soldier. REYNALDO, Servant to Polonius. A Captain. An Ambassador. Ghost of Hamlet's Father. FORTINBRAS, Prince of Norway. GERTRUDE, Queen of Denmark, and Mother of Hamlet. OPHELIA, Daughter of Polonius. Lords, Ladies, Officers, Soldiers, Players, Grave-diggers SCENE,-Elsinore. SCENE I.-Elsinore. A Platform before the Castle. Ber. Who's there? Yourself. Bernardo? Mar. Horatio says, 'tis but our fantasy; Nay, answer me: stand, and unfold That, if again this apparition come, He. Ber. Long live the king! Fran. For this relief, much thanks: 'tis bitter cold, Ber. Have you had quiet guard? Ber. Well, good night. Hor. When yon same star, that's westward from the pole, If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. Enter HORATIO and MARCELLUS. Fran. I think, I hear them.-Stand, ho! Who is there? And liegemen to the Dane. Hor. Friends to this ground. Who hath reliev'd you? Fran. O, farewell, honest soldier: Bernardo hath my place. Say, What, is Horatio there? A piece of him. Mor. Mor. What, has this thing appear'd again to-night? Ber. In the same figure, like the king that's dead. 'Tis strange. [hour, Mar. Thus twice before, and jump at this dead With martial stalk hath he gone by our watch. Hor. In what particular thought to work, I know not; But, in the gross and scope of mine opinion, Mar. Good now, sit down, and tell me, he that knows, Why this same strict and most observant watch Hor. Did forfeit, with his life, all those his lands, Had he been vanquisher; as, by the same co-mart, His fell to Hamlet: Now, sir, young Fortinbras, Hath in the skirts of Norway, here and there, Ber. I think, it be no other, but even so: Hor. A mote it is, to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets. * * * * ¥ * * * * * As, stars with trains of fire and dews of blood, But, soft; behold! lo, where it comes again! I'll cross it, though it blast me.-Stay, illusion! If there be any good thing to be done, I thou art privy to thy country's fate, Or, if thou hast uphoarded in thy life, For which, they say, you spirits oft walk in death, Ber. Hor. Mar. "Tis gone! "Tis here! 'Tis here! [Exit Ghost. We do it wrong, being so majestical, Mar. It faded on the crowing of the cock. Hor. So have I heard, and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastern hill: Break we our watch up; and, by my advice, Let us impart what we have seen to-night Unto young Hamlet: for, upon my life, This spirit, dumb to us, will speak to him: Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty? Mar. Let's do't, I pray; and I this morning know Where we shall find him most convenient. [Exeunt. SCENE II.-The same. A Room of State in the same. Enter the King, Queen, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants. King. Though yet of Hamlet our dear brother's death The memory be green; and that it us befitted Now follows that you know, young Fortinbras,- He hath not fail'd to pester us with message, Farewell; and let your haste commend your duty. Cor. & Vol. In that, and all things, will we shew our duty. King. We doubt it nothing; heartily farewell. [Exeunt Voltimand and Cornelius. And now, Laertes, what's the news with you? You told us of some suit; What is't, Laertes? You cannot speak of reason to the Dane, And lose your voice: What would'st thou beg, That shall not be my offer, not thy asking? Laer. Pol. He hath, my lord, wrung from me my slow By laboursome petition; and, at last, Upon his will I seal'd my hard consent: I do beseech you, give him leave to go. King. Take thy fair hour, Laertes; time be thine, And thy best graces: spend it at thy will.But now, my cousin Hamlet, and my son,Ham. A little more than kin, and less than kind. (Aside.) King. How is it, that the clouds still hang on you? Ham. Not so, my lord, I am too much i'the sun. Queen. Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark. Do not, for ever, with thy vailed lids Seek for thy noble father in the dust: Thou know'st, 'tis common; all, that live, must die, Ham. Ay, madam, it is common. If it be, Why seems it so particular with thee? [seems. Ham. Seems, madam! nay, it is; I know not Nor the dejected haviour of the visage, To give these mourning duties to your father: To do obsequious sorrow: But to perséver Of impious stubbornness; 'tis unmanly grief: I pray thee, stay with us, go not to Wittenberg. [Exeunt King, Queen, Lords, &c. Polo Ham. O, that this too too solid flesh would melt Thaw, and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! O God How weary, stale, flat, and unprofitable, Seem to me all the uses of this world! Fye on't! O fye! 'tis an unweeded garden, That grows to seed; things rank, and gross in nature, Possess it merely. That it should come to this! But two months dead!-nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr: so loving to my mother, That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it ted on: And yet, within a month,— A little month; or ere those shoes were old, My father's brother; but no more like my father, She married:-O most wicked speed, to post with you. And what make you from Wittenberg, Horatio? |