The Plays of William Shakespeare ... |
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Страница 19
—and forgave him with all their hearts : But , there's no heed to be taken of them ; if Cæsar had stabbed their mothers , they would have done no less . Bru . And after that , he came , thus sad , away ? Casca . Ay . Cas .
—and forgave him with all their hearts : But , there's no heed to be taken of them ; if Cæsar had stabbed their mothers , they would have done no less . Bru . And after that , he came , thus sad , away ? Casca . Ay . Cas .
Страница 51
If Theobald's emendation be adopted , the phraseology , though less elegant , is perhaps more Shaksperian . It may mean the same as if he had written - We two lions were lit- ter'd in one day , and I am the elder and more terrible of ...
If Theobald's emendation be adopted , the phraseology , though less elegant , is perhaps more Shaksperian . It may mean the same as if he had written - We two lions were lit- ter'd in one day , and I am the elder and more terrible of ...
Страница 73
If there be any in this assembly , any dear friend of Cæsar's , to him I say , that Brutus ' love to Cæsar was no less than his . If then that friend demand , why Brutus rose against Cæsar , this is my answer , -Not that I loved Cæsar ...
If there be any in this assembly , any dear friend of Cæsar's , to him I say , that Brutus ' love to Cæsar was no less than his . If then that friend demand , why Brutus rose against Cæsar , this is my answer , -Not that I loved Cæsar ...
Страница 97
The innovations and arbitrary alterations , either adopted from others , or first intro- duced by this editor , from ignorance of our ancient customs and phraseology , amount to no less a number than NINE HUNDRED AND SEVENTY - Two !!
The innovations and arbitrary alterations , either adopted from others , or first intro- duced by this editor , from ignorance of our ancient customs and phraseology , amount to no less a number than NINE HUNDRED AND SEVENTY - Two !!
Страница 108
Shakspeare sometimes uses the compa- rative instead of the positive and superlative . See King Lear , Act IV , sc . iii . Either word has the same origin ; nor do I perceive why for- mer should be less applicable to place than time .
Shakspeare sometimes uses the compa- rative instead of the positive and superlative . See King Lear , Act IV , sc . iii . Either word has the same origin ; nor do I perceive why for- mer should be less applicable to place than time .
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Albany ancient Antony and Cleopatra appears bear better Brutus called Casca Cassius Cordelia Coriolanus Corn Cymbeline daughters death dost doth duke Edgar edition editors Edmund Enter Exeunt Exit eyes father fear folio reads Fool fortune Gent give Gloster gods Goneril hand Hanmer hath hear heart honour Johnson Julius Cæsar Kent King Henry King Lear knave Lear look lord Lucius madam Malone Mark Antony Mason means Messala nature never night noble nuncle old copies omitted passage play Plutarch poet poor pray quartos read Regan Ritson Roman Rome says scene second folio sense Shakspeare Shakspeare's signifies Sir Thomas Hanmer speak speech stand Steevens Stew suppose sword tell thee Theobald thine thing thou art thought Timon of Athens Titinius Troilus and Cressida villain Warburton word