A system of elocution based upon grammatical analysisT. Laurie, 1869 - 432 страници |
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Страница 8
... lines , straight lines , and formidable tables , clefs , bars , crotchets , demi - semi - quavers , rule upon rule , line upon line , and pre- cept upon precept , hard , technical , and indigestible , all conspiring to present something ...
... lines , straight lines , and formidable tables , clefs , bars , crotchets , demi - semi - quavers , rule upon rule , line upon line , and pre- cept upon precept , hard , technical , and indigestible , all conspiring to present something ...
Страница 14
... lines to the right should not be sung or chanted , but pronounced very slowly , firmly , and articulately , marking the tones and semitones as indicated on the diatonic scale . Any line should be able to be read in the proper and ...
... lines to the right should not be sung or chanted , but pronounced very slowly , firmly , and articulately , marking the tones and semitones as indicated on the diatonic scale . Any line should be able to be read in the proper and ...
Страница 15
... the middle line called the pomum Adami ( Adam's apple ) . Each ala is quadrilateral in form , the outer surface presenting an oblique ridge , which gives attachment to the sterno - thyroid and thyro - hyoid THE VOICE . 15.
... the middle line called the pomum Adami ( Adam's apple ) . Each ala is quadrilateral in form , the outer surface presenting an oblique ridge , which gives attachment to the sterno - thyroid and thyro - hyoid THE VOICE . 15.
Страница 16
... line a vertical ridge for the attachment of the fibres of the œsophagus . On either side of this is a broad depression for the crico - arytenoideus posticus muscle . The lower border of the cricoid is joined to the upper ring of the ...
... line a vertical ridge for the attachment of the fibres of the œsophagus . On either side of this is a broad depression for the crico - arytenoideus posticus muscle . The lower border of the cricoid is joined to the upper ring of the ...
Страница 29
... lines are lines ' push , gathered ' the ' to ' the ' push ' Prin . sen . co - ordin- they ' reel ' they reel , ate with Do. do . linē they form , a and b they ' form ' d ( under- stood ) they fight o'er Do. do . ramparts of a , b , c ...
... lines are lines ' push , gathered ' the ' to ' the ' push ' Prin . sen . co - ordin- they ' reel ' they reel , ate with Do. do . linē they form , a and b they ' form ' d ( under- stood ) they fight o'er Do. do . ramparts of a , b , c ...
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actor Antony battle bear Bianca blood bosom brave breast Brutus C. H. SPURGEON Cæsar Casca character Christ Christian Covenanters dark dead dear death Demosthenes divine door doth ducats Duke earth Elocution eternal eyes father Fazio feeling give Glorious glory grace grave hand hath hear heard heart heaven Highland Hills honour hope human Jesus justice labour land larynx laws liberty light living look Lord Mark Antony mind moral nature never Nevermore night noble o'er orator prayers pride principle Quoth the Raven religion Ring Robert Burns scene sentence shore Shylock smile soul speak spirit St Pier suffered SURPLUS LABOUR sweet sword tears tell thee things THOMAS CHALMERS thou art thought tion tone true utterance Vere de Vere voice wild words
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Страница 45 - How like a fawning publican he looks ! I hate him for he Is a Christian : But more, for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice.
Страница 81 - Thy waters wasted them while they were free, And many a tyrant since : their shores obey The stranger, slave, or savage ; their decay Has dried up realms to deserts : not so thou, Unchangeable save to thy wild waves' play — Time writes no wrinkle on thine azure brow — Such as creation's dawn beheld, thou rollest now.
Страница 139 - Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,— " Though thy crest be shorn and shaven, thou," I said, " art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore !" Quoth the Raven,
Страница 385 - Censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: not that I loved Caesar less, but that I loved Rome more.
Страница 390 - If you have tears, prepare to shed them now. You all do know this mantle : I remember The first time ever Caesar put it on : 'Twas on a summer's evening, in his tent; That day he overcame the " Nervii: Look, in this place ran Cassius...
Страница 348 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false; at lovers' perjuries, They say, Jove laughs.
Страница 386 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended.
Страница 347 - The orchard walls are high, and hard to climb; And the place death, considering who thou art, If any of my kinsmen find thee here.
Страница 51 - Forbear, my son," the Hermit cries, "To tempt the dangerous gloom; For yonder faithless phantom flies To lure thee to thy doom. "Here to the houseless child of want My door is open still; And though my portion is but scant, I give it with good will.
Страница 45 - O curse of marriage, That we can call these delicate creatures ours, And not their appetites! I had rather be a toad, And live upon the vapour of a dungeon, Than keep a corner in the thing I love, For others