Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... things have moved too fast, 'Too like the lightning, which doth cease to be | Ere one can say “It lightens” ' (II.2.119–20). Romeo and Tybalt will also go 'to't ... like lightning' (III. 1.172), and Romeo remembers the 'lightning before ...
... things have moved too fast, 'Too like the lightning, which doth cease to be | Ere one can say “It lightens” ' (II.2.119–20). Romeo and Tybalt will also go 'to't ... like lightning' (III. 1.172), and Romeo remembers the 'lightning before ...
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... things all at once. In the last years of the sixteenth century Shakespeare's play must have seemed daringly original in ... thing to a witness, and this should make us uneasy, partly responsible, a bit like the third person on stage here ...
... things all at once. In the last years of the sixteenth century Shakespeare's play must have seemed daringly original in ... thing to a witness, and this should make us uneasy, partly responsible, a bit like the third person on stage here ...
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... things elsewhere, as for example with the figure of Enobarbus in Antony and Cleopatra, his source for this and his other Roman plays being the Greek author Plutarch (whose Lives of the Noble Grecians and Romans were translated by Sir ...
... things elsewhere, as for example with the figure of Enobarbus in Antony and Cleopatra, his source for this and his other Roman plays being the Greek author Plutarch (whose Lives of the Noble Grecians and Romans were translated by Sir ...
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... things with genre, and in this respect he is paving the way for his own later experiments in such wonderfully unpredictable plays as Hamlet, Measure for Measure, Troilus and Cressida, King Lear and The Winter s Tale. In his Apology for ...
... things with genre, and in this respect he is paving the way for his own later experiments in such wonderfully unpredictable plays as Hamlet, Measure for Measure, Troilus and Cressida, King Lear and The Winter s Tale. In his Apology for ...
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... things the word can mean in our own language. The nearest analogue in Greek tragedy to the end of Romeo and Juliet is the scene in the rock-tomb (offstage) at the climax of Sophocles' Antigone, where young Haemon arrives too late to ...
... things the word can mean in our own language. The nearest analogue in Greek tragedy to the end of Romeo and Juliet is the scene in the rock-tomb (offstage) at the climax of Sophocles' Antigone, where young Haemon arrives too late to ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young