Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... mother, born Mary Arden, came from a prosperous farming family. Her father chose her as his executor over her eight sisters and his four stepchildren when she was only in her late teens, which suggests that she was of more than average ...
... mother, born Mary Arden, came from a prosperous farming family. Her father chose her as his executor over her eight sisters and his four stepchildren when she was only in her late teens, which suggests that she was of more than average ...
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... mothers, sons than daughters, in his plays, few if any of which require more than the company's normal complement of three or four boys. The company played primarily in London's public playhouses – there were almost none that we know of ...
... mothers, sons than daughters, in his plays, few if any of which require more than the company's normal complement of three or four boys. The company played primarily in London's public playhouses – there were almost none that we know of ...
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... mother with more tenderness, and that Romeo's parents almost entirely slip out of the picture. The violence that the generally jovial Capulet unleashes towards his daughter in Act III, scene 5 can be, in performance,
... mother with more tenderness, and that Romeo's parents almost entirely slip out of the picture. The violence that the generally jovial Capulet unleashes towards his daughter in Act III, scene 5 can be, in performance,
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... mother, the 'old folks'. Why are they so 'Unwieldy, slow, heavy and pale as lead', moans Juliet (II.5.15)? But: 'Too swift arrives as tardy as too slow', urges the Friar (II.6.15). NARRATIVE, DRAMA AND TIME The story of Romeo and Juliet ...
... mother, the 'old folks'. Why are they so 'Unwieldy, slow, heavy and pale as lead', moans Juliet (II.5.15)? But: 'Too swift arrives as tardy as too slow', urges the Friar (II.6.15). NARRATIVE, DRAMA AND TIME The story of Romeo and Juliet ...
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... mother are up against when we hear the formality of the speech required of a well-educated lady in such a situation. There is no need for Lady Capulet to believe in what she is saying, but hearing it can help us understand the ...
... mother are up against when we hear the formality of the speech required of a well-educated lady in such a situation. There is no need for Lady Capulet to believe in what she is saying, but hearing it can help us understand the ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young