Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... light and dark, night and day, joy and grief, festival and funeral. But it is in the rapid transition from one to the other and their shimmering coexistence that its distinctive qualities are most fully displayed. Romeo and Juliet owes ...
... light and dark, night and day, joy and grief, festival and funeral. But it is in the rapid transition from one to the other and their shimmering coexistence that its distinctive qualities are most fully displayed. Romeo and Juliet owes ...
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... light and darkness, sun and moon, and birdsong. The time of year is also specific. This is mid July, just over two weeks before Lammastide (1 August) (I.3.17), 'these hot days' when 'the mad blood [is] stirring' (III.1.4). Shakespeare ...
... light and darkness, sun and moon, and birdsong. The time of year is also specific. This is mid July, just over two weeks before Lammastide (1 August) (I.3.17), 'these hot days' when 'the mad blood [is] stirring' (III.1.4). Shakespeare ...
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... light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression whatever on the unyielding world over which it passes, so light, so swift, so ephemeral. The ...
... light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression whatever on the unyielding world over which it passes, so light, so swift, so ephemeral. The ...
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... light wings' (II.2.66) with 'wind-swift Cupid' (II.5.8). Nor are the lovers entirely alone. Mercutio's astonishing Queen Mab speech is a passage of verbal ecstasy, of spontaneous ' ight'. But this is only one element in Shakespeare's ...
... light wings' (II.2.66) with 'wind-swift Cupid' (II.5.8). Nor are the lovers entirely alone. Mercutio's astonishing Queen Mab speech is a passage of verbal ecstasy, of spontaneous ' ight'. But this is only one element in Shakespeare's ...
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... light through yonder window breaks? | It is the East, and Juliet is the sun!' (II.2.2–3), to the bittersweet exchanges of the aubade or dawn-song, when they part after their one night together, 'It was the nightingale, and not the lark ...
... light through yonder window breaks? | It is the East, and Juliet is the sun!' (II.2.2–3), to the bittersweet exchanges of the aubade or dawn-song, when they part after their one night together, 'It was the nightingale, and not the lark ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young