Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... audiences. He is the greatest of poets, but he is essentially a dramatic poet. Though his plays have much to offer to readers, they exist fully only in performance. In these volumes we offer individual introductions, notes on language ...
... audiences. He is the greatest of poets, but he is essentially a dramatic poet. Though his plays have much to offer to readers, they exist fully only in performance. In these volumes we offer individual introductions, notes on language ...
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... audience, at once inviting and frustrating the impulses to sympathy and judgement, insisting we hear the conicting voices and see the contrary points of view. But it boasts a profusion of collisions at many levels, as if at some point ...
... audience, at once inviting and frustrating the impulses to sympathy and judgement, insisting we hear the conicting voices and see the contrary points of view. But it boasts a profusion of collisions at many levels, as if at some point ...
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... audience to view them as exotic foreigners and Verona as a world elsewhere. But Italians do not have a monopoly on impatient rebellious youngsters. Nor do Elizabethans. But in staging such a clash between parents and children, the play ...
... audience to view them as exotic foreigners and Verona as a world elsewhere. But Italians do not have a monopoly on impatient rebellious youngsters. Nor do Elizabethans. But in staging such a clash between parents and children, the play ...
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... audience' would have believed on this, or any other matter, conveniently ignoring the capacity of audiences for thinking, believing and wanting different things all at once. In the last years of the sixteenth century Shakespeare's play ...
... audience' would have believed on this, or any other matter, conveniently ignoring the capacity of audiences for thinking, believing and wanting different things all at once. In the last years of the sixteenth century Shakespeare's play ...
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... audience, as written narrative does not. (It is true that this becomes complicated when a written story is read aloud to others, and hence in a sense 'performed'.) Dramatists can counteract or complement this sense of the here and now ...
... audience, as written narrative does not. (It is true that this becomes complicated when a written story is read aloud to others, and hence in a sense 'performed'.) Dramatists can counteract or complement this sense of the here and now ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young