Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... Paris, and Juliet recalls that she has also praised him to the skies 'So many thousand times' (see notes to II.4.199 and III.5.240). Together they imply a much longer, more habitual passage of time than can possibly be the literal case ...
... Paris, and Juliet recalls that she has also praised him to the skies 'So many thousand times' (see notes to II.4.199 and III.5.240). Together they imply a much longer, more habitual passage of time than can possibly be the literal case ...
Страница
... Paris'.) The Nurse triumphantly points out to the assembled company that the best defence of burlesque has been provided by Shakespeare himself: look at the last Act of A Midsummer Night's Dream. The abashed Bard redescends in silence ...
... Paris'.) The Nurse triumphantly points out to the assembled company that the best defence of burlesque has been provided by Shakespeare himself: look at the last Act of A Midsummer Night's Dream. The abashed Bard redescends in silence ...
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... Paris's Page and Romeo's man Balthasar get caught up in the bloody finale. The underworld of these minor figures is not separated from the sphere in which the rich citizens and their families move but densely interwined with it. These ...
... Paris's Page and Romeo's man Balthasar get caught up in the bloody finale. The underworld of these minor figures is not separated from the sphere in which the rich citizens and their families move but densely interwined with it. These ...
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... Paris's, no fewer than four. Performances on stage and screen sometimes omit the intruders, Tybalt and Paris, but Shakespeare seems to have wanted this tomb-womb to be crowded and charged with sex and violence. It seems less the site of ...
... Paris's, no fewer than four. Performances on stage and screen sometimes omit the intruders, Tybalt and Paris, but Shakespeare seems to have wanted this tomb-womb to be crowded and charged with sex and violence. It seems less the site of ...
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... Paris, helplessly (III.4.4). But of course not all the speech is conventional. On the contrary, the world of this play seems to sponsor a kind of shameless, instinctive pleasure in the possibilities of language, in rhyme for instance ...
... Paris, helplessly (III.4.4). But of course not all the speech is conventional. On the contrary, the world of this play seems to sponsor a kind of shameless, instinctive pleasure in the possibilities of language, in rhyme for instance ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young