Romeo and JulietPenguin UK, 7.04.2005 г. - 320 страници 'Shakespeare invented the human as we continue to know it' Harold Bloom |
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... Laurence himself. When it comes to judging the three characters involved in this holy but secretive act, the verdicts 'innocent' or 'guilty' are both too simple. The theatre is not a court of law. But it does stage questions of justice ...
... Laurence himself. When it comes to judging the three characters involved in this holy but secretive act, the verdicts 'innocent' or 'guilty' are both too simple. The theatre is not a court of law. But it does stage questions of justice ...
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... Laurence greets her with one of the play's most telling reections: 'Here comes the lady. O, so light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression ...
... Laurence greets her with one of the play's most telling reections: 'Here comes the lady. O, so light a foot | Will ne'er wear out the everlasting int' (II.6.16–17). So far from wearing it out, the story of a life may make no impression ...
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... Laurence seems at times a walking compendium of Good Advice, almost as much of a slave to the language he speaks, and through which he thinks, as the early, Petrarchan Romeo. 'O, what learning is!' exclaims the Nurse after the Friar has ...
... Laurence seems at times a walking compendium of Good Advice, almost as much of a slave to the language he speaks, and through which he thinks, as the early, Petrarchan Romeo. 'O, what learning is!' exclaims the Nurse after the Friar has ...
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... Laurence that the corpse is not for real, while Capulet, his wife, the Nurse and Paris all believe that it is. Modern performances often dodge the diculty of a vocal formality that is alien to naturalistic theatre, though perfectly at ...
... Laurence that the corpse is not for real, while Capulet, his wife, the Nurse and Paris all believe that it is. Modern performances often dodge the diculty of a vocal formality that is alien to naturalistic theatre, though perfectly at ...
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... Laurence tells him that it was not love but doting, that 'Thy love did learn by rote, that could not spell' (II.3.84). Doing things by the book can be superficial, simply learned by rote, without real substance or meaning. But Juliet ...
... Laurence tells him that it was not love but doting, that 'Thy love did learn by rote, that could not spell' (II.3.84). Doing things by the book can be superficial, simply learned by rote, without real substance or meaning. But Juliet ...
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actor Apothecary art thou audience bad Quarto Balthasar banishèd bawdy quibble BENVOLIO blood County Paris cousin dead dear death dicult doth dream earth edition editors Elizabethan Enter Romeo Exeunt Exit eyes fair Farewell father feast Friar Laurence give GREGORY grief hand hath heart heaven Here’s holy hour King Lear kiss LADY CAPULET Lammastide light lives look lord love’s lovers Madam Mantua marriage married means Measure for Measure Mercutio Midsummer Night’s Dream Montague mother musicians ne’er night Nurse Nurse’s o’er ower Paris performance perhaps Peter play’s poison Prince Prince’s printed puns Q2 reads Quarto Queen Mab Romeo and Juliet Rosaline Royal Shakespeare Company SAMPSON scene sense servant SERVINGMAN Shakespeare Shakespeare’s play speak speech stay sweet syllables tell thee thou art thou hast thou wilt tomb tragedy Tybalt Verona villain What’s wife word young