Love continued Versus Mammon, ii, 571 The ridiculousness of, iv, 7 Lovel (Mr.) in THE ANTIQUARY alluded to, ii, 305 LOVERS, A PARTY OF, verses of 1819, ii, 349-50 LOVER'S COMPLAINT (A), Sonnet written in Shakespeare's Poems Fac-simile of the Sonnet, ii, 361 Lowther, "a Man in Parliament dumb-founder'd,” ii, 304 Reconciliation with his father, Otho the Great, ii, 397 Discovers her guilt, ii, 445 His madness, ii, 456 His death, ii, 472 LYCIDAS, parallel passage from, i, 220 (note) Lycidas, the "pontiff-priest" of Fingal's Cave, ii, 310-11 Lycius, a youth of Corinth beloved of Lamia, ii, 15, 17, 19 Proceeds to Corinth with her, ii, 24 Desires to show her to his friends, ii, 29 Gains his point, ii, 31 Dies at his wedding, on the disappearance of the bride under Mackenzie's Father Nicholas, melodramatic mawkishness of, iii, 271 Her resolve to "play the conjuror," ii, 80 Her prayer at the painted window, ii, 89 Is roused by Porphyro singing at her bedside, ii, 97 Madness, considerations on, ii, 301-2 MAIA, FRAGMENT OF AN ODE TO (1818), ii, 272 Major's wife, Keats's adventure with the, iv, 24 Margate, EPISTLE to George KEATS written at, i, 47 (note) Marian (Maid), ii, 135, 136 Marino, a corruptor of Italian Poetry, i, 336 Referred to, iii, 76, 93; iv, 133 Martyrs for religion, iv, 146 Mask of Keats, i, xxxv-viii Masks, Keats not "able to expurgatorize more," owing to not seeing Materials used for this edition, i, xi-xiii MATHEW (GEORGE FELTON), EPISTLE TO, poem of 1815, i, 43-6 Maud (Queen), character in KING Stephen, ii, 474 Maybole, Keats's letter from, iii, 175; letter continued at, iii, 184 Knowledge of and unfitness for, iv, 312-13 Nerve-shaking, iv, 157 To keep the pulse down, relinquished, iv, 170 Medwin (Thomas), LIFE OF SHELLEY quoted, iv, 248-9; referred to, iv, 209 CONVERSATIONS OF LORD BYRON quoted, iv, 271 MEG MERRILIES, poem of 1818, ii, 287-9 Keats struck with the character, ii, 287 (note) Melancholy, invocation to, in ISABELLA, ii, 63-4 See ODE Melody, Sweetness of unheard, ii, 116 In verse, the principle of, iii, 123 (note) Mercury, magic feat of, i, 297 Merlin's debt to the Demon, ii, 84 Mermaid Tavern, See LINES Metempsychosis, Keats's belief at one time in, i, xxx Midnight, "a budding morrow" in, ii, 238 "Mighty soul in a little body," Keats's, iv, 200 Miller's, John and George Keats dine at, iv, 52 Miller (Mary) and her ten suitors, iii, 272 Miller (T.), printer of ENDYMION, i, 108, 327 Milman (Henry), Keats sees his FAZIO the first night, iii, 115 Milton, blindness of, i, 45; iii, 21 A small debt to, i, 75 (note) Milton-continued LINES ON SEEING A LOCK of Milton's HAIR (1818), ii, 249-5I "A real authenticated lock" of his hair, iii, 106; the au- Sonnet to SLEEP written in a copy of PARADISE LOST, ii Notes on PARADISE LOST, iii, 19-30 His "exquisite passion" for "poetical luxury," iii, 19 His indignation against kings, iii, 23 "Godlike in the sublime pathetic,” iii, 24 "His stationing or statuary,” iii, 28 His grief for his friend King, ii, 535 Milton and Salmasius, a comic narrative, iii, 135 Did he do more good or harm in the world? iii, 136 "The third among the sons of light,” iv, 230 In the kitchen, iv, 289 Referred to, i, xxiii, xxiv, 357; ii, 206; iii, 146, 149, 193, 195, Mind, discontented and restless, iv, 164 Miniature of Keats by Severn exhibited at the Royal Academy, 1819, i, xxxiii; iii, 291-2 Ministry of 1818 referred to in Book III of ENDYMION, i, 233 Misery, happy and miserable, iv, 183 Mnemosyne, a fallen Titaness in HYPERION, ii, 160, 190 Meets Apollo, ii, 174 Moneta (or Mnemosyne), goddess of a titanic temple, ii, 187-8 Money matters, iii, 63; iv, 29, 48, 63, 77 (note), 140, 396-8, 402, 404, Monkhouse, iv, 355 Montagu (Basil), iv, 277 Moon, address to the, i, 235-7 Endymion addresses the, i, 240-I Keats's long preoccupation with mythology and poetry of the, Moore (Thomas), THE WREATH AND THE CHAIN by, i, 28 (note) His song "There's not a look,” iv, 162 Keats invited by Hunt to meet him, iii, 267 His beautiful fancies always of one colour, iii, 377 TOM CRIB'S MEMORIAL TO CONGRESS, iv, 55-6 (note) Morning Chronicle (The), Letters defending Keats against The Mortimer Terrace, Keats stays with Hunt at, iv, 177 (note) Motto for LAMIA, ISABELLA, &c., hunting for, iv, 168 Moultrie ("poor Johnny"), iii, 94 Mull, Keats's letter continued in the Isle of, iii, 196 Mullingses (the), iii, 261 Murray, jocose proposal of Keats to offer the series of love letters to, iv, 172 Muse of England, address to, i, 281-2 Music, varieties of, i, 56 Delicately described, i, 193 Musical instruments, after-dinner imitation of, iii, 139 Naiad, Endymion is addressed by a, i, 179-80 Nais, i, 271 Napoleon, harm to liberty done by, iii, 241 See Buonaparte Nature, great unerring, once wrong, ii, 353 Disgust at the government of, iv, 112 (note) Nelson (Lord), a letter of, iii, 144 Neptune, the palace of, i, 268 Hymn to, i, 273-5 Described by Oceanus in HYPERION, ii, 167 Nereids (the), i, 270 Nerve-shaking medicine, iv, 157 Neville (Mr.), copy of ENDYMION sent by Keats to, iii, 266 New leaf (a) to be turned over, iii, 248 Newport, barracks between Cowes and, iii, 54 Newton Abbot, the Marsh at, ii, 261, 263 (note) Nightingale, immortality of the, ii, 113. See ODE TO A NIGHTINGALE NILE, SONNET TO THE (1818), ii, 254 Manuscript of, ii, 254 (note) Sonnets by Shelley and Hunt on, ii, 566-7; referred to, ii, Niobe, i, 137 North (Christopher), See Wilson (Professor) Now (A), DESCRIPTIVE OF A HOT DAY, by Leigh Hunt and Keats, iii, 33-9 "O Solitude! if I must with thee dwell," Sonnet (1816), i, 71 Oban, Keats's letters continued at, iii, 191, 199 Oberon, i, 29, 30 Oceanus, i, 275 A fallen Titan in HYPERION, ii, 162 Sophist and sage, ii, 165 ODE ("Bards of Passion and of Mirth "), ii, 127-9 Written on the blank page before Beaumont and Fletcher's The manuscript of, ii, 127 (note) Probably addressed to Beaumont and Fletcher, ii, 127 (note) Repeated by Keats to Haydon, ii, 115 (note) First published in Annals of the Fine Arts, ii, 115 (note) Perhaps relates to an Urn at Holland House, ii, 115 (note) ODE ON INDOLENCE (1819), ii, 329-32; referred to, i, xx, xxviii Rejected opening of, ii, 139 (note) ODE TO A NIGHTINGALE (1819), ii, 109-14 Story of the composition of, ii, 109 (note) First published in Annals of the Fine Arts, ii, 110 (note) Referred to, i, xx; iv, 195 ODE TO APOLLO (1815), ii, 205-7 ODE TO FANNY (1819?), ii, 326-8 ODE TO MAIA, FRAGMENT OF AN (1818), ii, 272 ODE TO PSYCHE (1819), ii, 119-21 Pains taken with, ii, 119 (note); iii, 286; referred to, i, xxviii Oliver, a government spy, iii, 374 Ollier (Charles), mentioned, i, 5 (note); iii, 116 Sonnet to Keats by, i, 347 Music "damned " by, iii, 130 Ollier (C. & J.), publishers of Keats's first book, i, 3 Letter to George Keats from, on the POEMS (1817), i, 348 ON FIRST LOOKING INTO CHAPMAN'S HOMER, Sonnet (1816), i, 77 ON LEAVING SOME FRIENDS AT AN EARLY HOUR, Sonnet, i, 80 Opie (Mrs.), iii, 115 Ops, the fallen Queen of the Titans in HYPERION, ii, 162, 163, 171 |