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The sun beneath their waves admire ;
Gaze at each star's unwonted fire.
With what an energy you rise!
Does every glowing page surprise !
The dreadful scene we scarce endure;
our earth we tread secure; Whose fate unmoved, as you pursue, We start and tremble but to view.
Which towering once in hills arose,
A new and fairer earth compose :
This second pride of fate expire ;
The burning storm, the liquid fire ; Where worlds and men consuming lie, And in one blaze of ruin die.
Their naked tops the hills admire,
No longer white with fleecy dew;
Add to the flames dissolving too:
All nature's mournful end proclaim;
And feed the rich, victorious flame:
Give vigour to the wasting fire,
Smoothed into green eternal vales ;
Her air still rich with balmy gales :
thou great, thou sacred name,
You raise with ease, with ease destroy.
SKATING: A POEM.
[* * This Poem, ‘Cursus Glacialis,' Anglice 'Skating,' although printed in the Muse Anglicanæ as the production of PHILIP Frowde, and signed by him, is asserted by Mr. George Sewell, in his preface to Curll's volume 1725, to be certainly' written by Addison. The same assertion is repeated in a rare volume of “Addison's Miscellaneous works,' printed for Cogan, 1750. The Latin original is found in every edition of the Muse Anglicanæ, a very common book. It will be sufficient here to give the English.]
SEE nature round a hoary prospect yields,
Yet this bleak season of th' inclement year
sports the winter rage defy,
Each now the labour hardy to endure,
See! there the youth with eager passion glow,
If we such pleasures from its rigour gain,
Here, if by chance, unable to convey
But if, descending on the slippery plain,
So when a swallow wantons in the air,
Skilled in these arts, (if not by fame belied,)
Now to the faithful sea the matron dares
DISSERTATIO DE INSIGNIORIBUS
(AUCTORE JOS. ADDISON.)' OMNIUM, in re poeticâ, maxime inclaruerunt Romani, et Romanorum Virgilius : optime quæque regulæ, huic arti
By Mr. Christopher Hayes. Of all the nations in the world, the Romans have most excelled in the art of poetry, and even among the Romans Virgil has been | Dr. Parr set great value on this Dissertation, which he says
is inserted in the quarto edition of Addison's Works, and but little known.” (Bibl. Parr, p. 628.) In another part of his Catalogue he says he was many years in search of it, and adds: “I am at a loss to account for the omission both of the Latin and the English in the variorum edition of Addison's Works.” Bibl. Parr, p. 285. There appear to be at least five editions, viz. 1692, 1698, 1718, 1725, and 1750.
inservientes, non tam criticorum præceptis, quam Maronis exemplo, sunt depromendæ. Ut ideo de reliquis heroici carminis scriptoribus, recte statuamus virtutes et vitia, quæ apud singulos occurrunt, lectioni conferamus Virgilianæ ; qui, si ullibi defecerit Bucolicis, nonnunquam puriorem immiscuit styli elegantiam, quam quæ pastoribus conveniat; et sæpe grandior sonat carminum majestas, quam quæ tenui avenæ consona videatur. Apud quemlibet Georgicorum li. brum, inimitabili quâdam sermonis elegantiâ, res rustica explicantur ; sed ultimus, de Apum Naturâ, valde, præter cæteros, animum delectat; ubi, dum in tenui argumento procedit poema, solennem quandam sententiarum et verborum pompam studiose affectat poeta. Apum ideo opera Cyclopum assimulat laboribus, nec majori carminum tumultu Æneæ et Turni recitat certamina, quam hasce insectorum turmas inter sese depræliantes. Úbique exiguæ reipublicæ duces, populi, studia, mores, et tenue illud imperium, quod intra alvearii angustias exercetur, venustâ, nescio quâ, carminis magnificentiâ exprimuntur: Quin hoc certe in toto opere præcipue occurrit admirandum, quomodo, dum plantationis, pastionis, et agriculturæ curas exequitur poeta,
TRANSLATION. the most deservedly celebrated; from whom the justest rules of this art are rather to be taken, than from the dry precepts of the critics. To the end, therefore, that we may the more truly ascertain the beauties and faults which occur among the rest of the writers of Heroic Poetry, let us compare them with the style of Virgil; who if he be in anything deficient, it is, when he has sometimes in his Eclogues mingled such a purity of style as is not entirely agreeable with the dialect of shepherds; and frequently the dignity of his verse seems no way consonant to the rural pipe. In every book of his Georgics, he treats of country affairs with an inimitable elegancy of style; but, above all, we are most delighted with his last book, of the Nature of Bees ; where, in a poem on so inconsiderable a subject, our author purposely affects a peculiarly solemn and pompous style. In this piece he compares the labours of the bees to those of the Cyclops; and in the same lofty numbers recounts the skirmishes of these little insects among themselves, as he does the rencounters of Æneas and Turnus. All along, the generals of this small republic, the populace, the factions, the customs and forms of government exercised within the narrow limits of the bee-hive, are described with an inexpressible beauty and magnificence. Throughout the whole work, what mostly raises our admiration is, that in the pursuit of his discourse on planting, grazing, and agriculture,