Reframing Screen PerformanceUniversity of Michigan Press, 11.02.2010 г. - 310 страници "A significant contribution to the literature on screen performance studies, Reframing Screen Performance brings the study of film acting up to date. It should be of interest to those within cinema studies as well as general readers." Reframing Screen Performance is a groundbreaking study of film acting that challenges the long held belief that great cinematic performances are created in the editing room. Surveying the changing attitudes and practices of film acting---from the silent films of Charlie Chaplin to the rise of Lee Strasberg's Actor's Studio in the 1950s to the eclecticism found in contemporary cinema---this volume argues that screen acting is a vital component of film and that it can be understood in the same way as theatrical performance. This richly illustrated volume shows how and why the evocative details of actors' voices, gestures, expressions, and actions are as significant as filmic narrative and audiovisual design. The book features in-depth studies of performances by Anjelica Huston, John Cusack, and Julianne Moore (among others) alongside subtle analyses of directors like Robert Altman and Akira Kurosawa, Sally Potter and Orson Welles. The book bridges the disparate fields of cinema studies and theater studies as it persuasively demonstrates the how theater theory can be illuminate the screen actor's craft. Reframing Screen Performance brings the study of film acting into the twenty-first century and is an essential text for actors, directors, cinema studies scholars, and cinephiles eager to know more about the building blocks of memorable screen performance. Cynthia Baron is Associate Professor of Film Studies at Bowling Green State University and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance. Sharon Carnicke is Professor of Theater and Slavic Studies and Associate Dean of Theater at the University of Southern California and author of Stanislavsky in Focus. |
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... a Window into Characters' Interactions 208 case study: the grifters Conclusion 232 Appendix: Case Study of Romeo and Juliet 239 Notes 243 Bibliography 277 Index 291 113 188 INTRODUCTION Walter Benjamin was right - with film , like.
... Interactions 208 case study: the grifters Conclusion 232 Appendix: Case Study of Romeo and Juliet 239 Notes 243 Bibliography 277 Index 291 introduction Walter Benjamin was right—with ‹lm, like sports, “everyone who Contents.
... interact with other filmic choices . It returns to insights on art and performance elegantly formulated by the Prague Linguistic Circle ( 1926-48 ) and draws on a circumspect selection of acting terms and con- cepts . With these ...
... interactions among the many elements within shots , scenes , and films . While framing and editing are not the basis of " film language , " neither is performance . Rather , interactions among countless textual and extratextual factors ...
... interactions between performance and nonperformance cinematic elements . IF IT IS NOT LIVE PERFORMANCE IT IS .. • Differences between stage and screen acting have often been framed by the normative institution , theater , which has laid ...
Съдържание
1 | |
9 | |
PERFORmANCE ELEmENTS CINEmATIC CONvENTIONS | 87 |
TERmS AND CONCEPTS FROm THE CRAFT OF ACTING | 163 |
Conclusion | 232 |
Case Study of Romeo and Juliet | 239 |
Bibliography | 277 |
Index | 291 |