Morning Chronicle (The), Letters defending Keats against The

Quarterly in, iii, 237, 381-3

Mortimer Terrace, Keats stays with Hunt at, iv, 177 (note)

Motto for LAMIA, ISABELLA, &c., hunting for, iv, 168

Moultrie ("poor Johnny"), iii, 94

Mull, Keats's letter continued in the Isle of, iii, 196
Wretched walk across, iii, 199

Mullingses (the), iii, 261

Murray, jocose proposal of Keats to offer the series of love letters
to, iv, 172

Muse of England, address to, i, 281-2

Music, varieties of, i, 56

Delicately described, i, 193

Musical instruments, after-dinner imitation of, iii, 139

Naiad, Endymion is addressed by a, i, 179-80

Nais, i, 271

Napoleon, harm to liberty done by, iii, 241

See Buonaparte

Nature, great unerring, once wrong, ii, 353
Naples, Keats's letter from the harbour of, iv, 108
Quarantine at, iv, 108, 110

Disgust at the government of, iv, 112 (note)

Nelson (Lord), a letter of, iii, 144

Neptune, the palace of, i, 268

Hymn to, i, 273-5

Described by Oceanus in HYPERION, ii, 167

Nereids (the), i, 270

Nerve-shaking medicine, iv, 157

Neville (Mr.), copy of ENDYMION sent by Keats to, iii, 266

New leaf (a) to be turned over, iii, 248

Newport, barracks between Cowes and, iii, 54

Newton Abbot, the Marsh at, ii, 261, 263 (note)

Nightingale, immortality of the, ii, 113. See ODE TO A NIGHTINGALE

NILE, SONNET TO THE (1818), ii, 254

Manuscript of, ii, 254 (note)

Sonnets by Shelley and Hunt on, ii, 566-7; referred to, ii,
254 (note)

Niobe, i, 137

North (Christopher), See Wilson (Professor)

Now (A), DESCRIPTIVE OF A HOT DAY, by Leigh Hunt and Keats,

iii, 33-9

"O Solitude! if I must with thee dwell," Sonnet (1816), i, 71
Keats's first published poem, i, 71 (note)

Oban, Keats's letters continued at, iii, 191, 199

Oberon, i, 29, 30

Oceanus, i, 275

A fallen Titan in HYPERION, ii, 162

Sophist and sage, ii, 165

ODE ("Bards of Passion and of Mirth "), ii, 127-9

Written on the blank page before Beaumont and Fletcher's
Tragi-Comedy THE FAIR MAID OF THE INN, ii, 127

The manuscript of, ii, 127 (note)

Probably addressed to Beaumont and Fletcher, ii, 127 (note)

ODE ON A GRECIAN URN (1819), ii, 115-18

Repeated by Keats to Haydon, ii, 115 (note)

First published in Annals of the Fine Arts, ii, 115 (note)
Manuscript of, ii, 115 (note)

Perhaps relates to an Urn at Holland House, ii, 115 (note)
Referred to, i, xx

ODE ON INDOLENCE (1819), ii, 329-32; referred to, i, xx, xxviii
ODE ON MELANCHOLY, ii, 139-40

Rejected opening of, ii, 139 (note)

ODE TO A NIGHTINGALE (1819), ii, 109-14

Story of the composition of, ii, 109 (note)

Manuscript of, ii, 110 (note)

First published in Annals of the Fine Arts, ii, 110 (note)
Repeated by Keats to Haydon, ii, 115 (note)

Referred to, i, xx; iv, 195

ODE TO APOLLO (1815), ii, 205-7

ODE TO FANNY (1819?), ii, 326-8

ODE TO MAIA, FRAGMENT OF AN (1818), ii, 272

ODE TO PSYCHE (1819), ii, 119-21

Pains taken with, ii, 119 (note); iii, 286; referred to, i, xxviii

Oliver, a government spy, iii, 374

Ollier (Charles), mentioned, i, 5 (note); iii, 116

Sonnet to Keats by, i, 347

Music "damned" by, iii, 130

Ollier (C. & J.), publishers of Keats's first book, i, 3

Letter to George Keats from, on the POEMS (1817), i, 348

ON FIRST LOOKING INTO CHAPMAN'S HOMER, Sonnet (1816), i, 77
ON THE GRASSHopper and CriCKET, Sonnet (1816), i, 83

ON LEAVING SOME FRIENDS AT AN EARLY HOUR, Sonnet, i, 80
ON RECEIVING A CURIOUS SHELL AND A COPY OF VERSES, i, 28-30
OPERA, EXTRACTS FROM AN, ii, 275-8

Opie (Mrs.), iii, 115

Ops, the fallen Queen of the Titans in HYPERION, ii, 162, 163, 171

Oriental strain in Keats, i, xxviii

Oriental tale (an), iv, 131

Orinda, See Philips (Katherine)

Orion hungry for the morn, i, 184

Orpheus, i, 238

OTHO THE GREAT: A TRAGEDY, IN FIVE ACTS (1819), ii, 367-472
Plot of four Acts supplied by Charles Armitage Brown,

ii, 364

The fifth Act wholly Keats's, ii, 364

Manuscript formerly in the hands of Joseph Severn, ii, 365
Humorous account by Brown of the progress of, ii, 364

Dramatis personæ, ii, 366

First Act finished, iii, 312

Progress in the Isle of Wight, iii, 314; iv, 136, 139

Four Acts completed, iii, 317

Work finished, iii, 322; and being copied by Brown, iii, 324
Keats calls himself “midwife to Brown's plot,” iii, 327

"A tolerable tragedy," iv, 5

Revised, and accepted at Drury Lane, iv, 47

Proposed performance in Rome in 1834, iv, 377

Referred to, i, x

Otho, Emperor of Germany, character in OTHO THE GREAT, ii, 366
Crushes a rebellion headed by his son Ludolph, ii, 369

His reconciliation with his son, ii, 397
His grief for his son's madness, ii, 456

Oxford, Keats's letters from, iii, 70, 74, 77, 80
"The finest City in the world," iii, 78
Nonsense verses on, iv, 74 (note)

Pacific Ocean, discovery of the, i, 79

Paine (Thomas), iv, 13

Painting, Keats's abstract idea of, iii, 138

Palate affairs, iii, 277

Palgrave (Francis Turner), compares Keats with Chatterton, i, xxiiì

Palpitation of the heart, iv, 73

Pan, pastoral superstition connected with, i, 124-5

Festival of, i, 126 et seq.

Address of the priest of, i, 130-1

Hymn to, i, 132-6

Pantomime, Keats goes to the Christmas, iii, 99

PARADISE LOST, a corruption of our language," iv, 30

"The most remarkable production of the world,” iv, 31

PARTY (A) OF LOVERS, verses of 1819, ii, 349-50

Passion, destroyed by thought, ii, 28

Pastorella, i, 175

Patmore, iii, 153

Paulo and Francesca, See DReam (A)

Payne (John), passage translated from the THOUSAND AND ONE
NIGHTS by, i, 140-1 (note)

Translation of the Story of Isabella by, ii, 547-51
Translation of the Basil Pot Song by, ii, 556-7

His complete translations of Villon's Poems and the THOU-
SAND AND ONE NIGHTS, ii, 555-6

Peacock (Thomas Love), Satire "damned" by, iii, 130
Penmanship, good and bad, iv, 157
Peona, her care for Endymion, i, 141-4

Her lute-playing, i, 146

Meets Endymion returning from magic wanderings, i, 318
Witnesses disappearance of Endymion with Diana, i, 327
Periodical literature, resolution to work at, iii, 332-3, 335, 338
Perrin's FABLES Amusantes, probable reminiscence of, i, 269
Petrarch and Laura, i, 101

Petzelians (the), a murderous religious sect, iii, 346-7

PHARONNIDA, by William Chamberlayne, reminiscence of, i, 265
Compared with ENDYMION, i, xxiii

Philadelphia, George Keats sails for, iii, 215

Philips (Katherine), her Poem to Mrs. M. A. at Parting, iii, 351-3
Keats's praise of the poems of, iii, 75

Philobiblion (The), fragment of a letter of Keats in, iv, 50 (note)
Philobiblon Society, first version of HYPERION printed for, ii, 180
Philosophy, Keats's strictures on, ii, 36-7

Determination to study, iii, 146, 148

Phoebe, a fallen Titaness in HYPERION, ii, 160

Phorcus, a fallen Titan in HYPERION, ii, 162, 171

PICTURE OF LEANDER, SONNET ON A, ii, 221-2

Picturesque, "getting a great dislike" of the, iv, 141

"Pight," i, 159 (note)

Pigmio, sovereign of Imaus in THE CAP AND BELLS, ii, 490
"Pindar (Peter)," death of, iv, 60; referred to, iii, 115

Piranesi's VASI E CandelabrI, ii, 115 (note)

Plane-tree versus plum-tree, iv, 195

Pleasure never at home, ii, 122, 126

Pluto, i, 238

Poem, Keats's first published, i, 71

POEMS (1817), Keats's first book, described, i, 2

Fac-simile of title-page, i, 3

Dedication to Leigh Hunt, i, 5; its spontaneity, i, 5 (note)

POEMS (1817)—continued

Lists of words altered in this edition, i, xliv-v

Reviewed by Hunt in The Examiner, i, 2, 331-43
Mentioned in rejected preface to ENDYMION, i, 115
Letter from Messrs. C. & J. Ollier as to failure of, i, 348
Letter from Haydon on issue of, iii, 49 (note)
Disappointing reception of, iv, 319-20

Poesy, address to, i, 90

Vision of the progress of, i, 92-4

"A drainless shower of light,” i, 96

One of the Shadows in the ODE ON INDOLENCE, ii, 330

Poetry, obstacles to the composition of, i, 44, 47

Its revival in England, i, 97

The philosophy of, vindicated in LAMIA, ii, 530
Keats cannot exist without it, iii, 55

Keats's Axioms in, iii, 122-3

Poetical character, its lack of identity, iii, 233

Poetry not so fine a thing as Philosophy, iii, 282
Poets, the double life of, ii, 127, 129

Poets and fanatics, ii, 181

Politics, English and European, iii, 240-2

A page or so of, iv, 12-13

POLYMETIS, Spence's, ii, 119 (note)

Pomona, i, 199

Pope, i, 332-3; Byron on, iv, 263-5

Popularity, contempt for, iii, 141, 313

Porphyrion, an imprisoned Titan in HYPERION, ii, 159

Porphyro, Madeline's lover in THE EVE OF ST. Agnes, ii, 77
Steals into Madeline's home amidst his foes, ii, 78

Is secreted by the nurse in Madeline's chamber, ii, 86
Grows faint at the sight of Madeline praying, ii, 89
Carries Madeline off by stealth, ii, 97

Port Patrick, Keats's letter continued at, iii, 172

Porter (Jane), Letter telling her delight with ENDYMION, iii, 267
Referred to, iii, 248 (note)

Portrait of Keats in Haydon's "Entry of Christ into Jerusalem,"
iii, 62 (note), 64, 65 (note)

Profile sketch by Haydon, i, xxxv, xxxvi; iii, 44

Haydon's offer to do one for frontispiece to ENDYMION,
iii, 103, 107

Charcoal drawing by Severn, i, xxxiv, xxxvi; iii, frontispiece;
iv, 274 (note)

Miniature by Severn, i, frontispiece, xxxiii, xxxviii

Other portraits by Severn, i, xxxvi-ix; iv, 365

Profile of Keats by Brown mentioned, iii, 307