Cinema of Flames: Balkan Film, Culture and the MediaBloomsbury Publishing, 25.07.2019 г. - 320 страници First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
Между кориците на книгата
Резултати 1 - 5 от 37.
Страница 4
... role of film and other visual mediation in the cross-cultural representation of the Balkans, however, remains invariably important and controversial. And it is this subtle role that I hope to have captured and problematised in my work ...
... role of film and other visual mediation in the cross-cultural representation of the Balkans, however, remains invariably important and controversial. And it is this subtle role that I hope to have captured and problematised in my work ...
Страница 5
... roles the mediated moving images of conflict in the Balkans play. Why film? First, because the visual has a crucial ... role of mediated images is so subtle that it often remains unaccounted for. Looking at cinematic texts helps bring ...
... roles the mediated moving images of conflict in the Balkans play. Why film? First, because the visual has a crucial ... role of mediated images is so subtle that it often remains unaccounted for. Looking at cinematic texts helps bring ...
Страница 9
... roles of all countries in the East were dynamically changing. Unlike Central Eastern Europe, which seemed to gravitate toward Europe 'proper', the shift in the Balkans seemed to move in the opposite direction. The Yugoslav breakup ...
... roles of all countries in the East were dynamically changing. Unlike Central Eastern Europe, which seemed to gravitate toward Europe 'proper', the shift in the Balkans seemed to move in the opposite direction. The Yugoslav breakup ...
Страница 11
... role, talking about Sarajevo, to Elia Suleiman's Chronicle of a Disappearance (1996), where radio commentary on the Bosnian war provides the background to the daily concerns of the Palestinian protagonists. The global trend that turns ...
... role, talking about Sarajevo, to Elia Suleiman's Chronicle of a Disappearance (1996), where radio commentary on the Bosnian war provides the background to the daily concerns of the Palestinian protagonists. The global trend that turns ...
Страница 12
... role and told the story of two Italian hunters caught in the middle of the Sarajevan siege. The Greek film Ulysses' Gaze featured American Harvey Keitel, Swede Erland Josephson and Romanian Maia Morgenstern. Major European directors ...
... role and told the story of two Italian hunters caught in the middle of the Sarajevan siege. The Greek film Ulysses' Gaze featured American Harvey Keitel, Swede Erland Josephson and Romanian Maia Morgenstern. Major European directors ...
Съдържание
1 | |
5 | |
27 | |
Part 2 Commitments Amid Strife | 87 |
Part 3 People | 173 |
Part 4 Spaces | 233 |
Bibliography | 283 |
Filmography | 300 |
Index | 318 |
Други издания - Преглед на всички
Често срещани думи и фрази
Albanian American appear approach audiences Balkan become Belgrade believed Bosnia Bulgaria called camp cinema claim concerns context continue countries critical Croatian cultural death depicted director discourse discussion documentary Eastern ethnic Europe European example experiences explored face fact feel Festival film film-makers footage former France Germany Greek Gypsies identity important intellectuals interest involved issues Italy journalists killed Kusturica leave lives look Macedonia minority moral move Muslim narrative nationalist never once past played political present Press Pretty production protagonists question rape region remains reports representations represented role Roma Sarajevo scenes seems seen Serbian Serbs shown sides story talk tells turned Underground University victims Village violence West Western women writing York young Yugoslav Yugoslavia