Cinema of Flames: Balkan Film, Culture and the MediaBloomsbury Publishing, 25.07.2019 г. - 320 страници First study of cinema, media and the Balkan wars; Wide-ranging view of politics and culture of the region; The break-up of Yugoslavia triggered a truly international film-making project. Underground, Ulysses' Gaze, Before the Rain, Pretty Village, Pretty Flame and Welcome to Sarajevo were amongst a host of films created as the conflicts in the region unravelled. These conflicts restored the Balkans as a centrepiece of Western imagery and the media (especially cinema) assumed a leading but ambiguous role in defining it for global consumption through a narrow range of selectively defined images. Simultaneously, a lot of the high-quality cinematic and television work made in the region (much of it discussed in this book) remains relatively unknown. Cinema of Flames attempts to go deeper than the imagery and address some of the general concerns of the cross-cultural representation and self-representation of the Balkans: narrative strategies within the context of Balkan exclusion from the European cultural sphere, the cosmopolitan image of Sarejevo, diaspora, and the representations of villains, victims, women, and ethnic minorities, all considered in the general context of Balkan cinema. 'encyclopaedic in scope and brilliance, making excellent use of the scholarly literature whilst interweaving analysis of films and other mass media. The book will be a superb addition to the literatures on Bosnia and Yugoslavia. It will also serve as a standard reference on Balkans film.' Robert Hayden (University of Pittsburgh) |
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Страница 8
... Greek , Cyrillic , Latin ( and even this most common one is modified with a variety of phonetical diacritics for ... Greeks look traditionally to the UK , Romanians to France , Bulgarians to Germany and the Slovenes to Austria and ...
... Greek , Cyrillic , Latin ( and even this most common one is modified with a variety of phonetical diacritics for ... Greeks look traditionally to the UK , Romanians to France , Bulgarians to Germany and the Slovenes to Austria and ...
Страница 9
... Greek Helsinki Monitor works systematically on studies of hate speech and media in the region . Repositioning In the 1990s , the cold - war line dividing Europe into two was abolished . The changing international balance meant that all ...
... Greek Helsinki Monitor works systematically on studies of hate speech and media in the region . Repositioning In the 1990s , the cold - war line dividing Europe into two was abolished . The changing international balance meant that all ...
Страница 12
... Greek film Ulysses ' Gaze featured Amer- ican Harvey Keitel , Swede Erland Josephson and Romanian Maia Morgenstern . Major European directors turned their attention to the Balkans : some to enjoy acclaim , like Goran Paskaljević with ...
... Greek film Ulysses ' Gaze featured Amer- ican Harvey Keitel , Swede Erland Josephson and Romanian Maia Morgenstern . Major European directors turned their attention to the Balkans : some to enjoy acclaim , like Goran Paskaljević with ...
Страница 20
... Greek cinema is covered by Mel Schuster ( 1979 ) and a reference work by Dimitris Koliodimos ( 1999 ) . Andrew Horton's persistent and enthusiastic involvement with the cinemas of the Balkan countries , and particularly his long ...
... Greek cinema is covered by Mel Schuster ( 1979 ) and a reference work by Dimitris Koliodimos ( 1999 ) . Andrew Horton's persistent and enthusiastic involvement with the cinemas of the Balkan countries , and particularly his long ...
Страница 23
... Greek descent who wrote in French and whose winding life path is described in autobiographical works such as Kyra Kyralina (1926) and Codine: The Childhood of Adrian Zografi (1929, no English translation). He was encouraged to write by ...
... Greek descent who wrote in French and whose winding life path is described in autobiographical works such as Kyra Kyralina (1926) and Codine: The Childhood of Adrian Zografi (1929, no English translation). He was encouraged to write by ...
Съдържание
| 1 | |
| 5 | |
| 27 | |
Part 2 Commitments Amid Strife | 87 |
Part 3 People | 173 |
Part 4 Spaces | 233 |
Bibliography | 283 |
Filmography | 300 |
Index | 318 |
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Albanian Aleksandar American Arkan audiences Balkan Balkan cinema Balkan countries Balkan film Balkan film-makers Belgrade Bernard-Henri Lévy Bosnia Bosnian war Bulgaria camp Chetnik civilisations claim context coverage critical Croat Croatian cultural depicted director discourse discussion documentary Dragojević Dušan Makavejev Eastern Europe Emir Kusturica ethnic European example experiences explored feminist Film Festival footage former Yugoslavia France Gaze Germany Goran Goran Paskaljević Greece Greek Gypsies Holocaust identity intellectuals interview Islamic issues Italy journalists journey killed Kosovo Kusturica lives look Macedonia Manchevski Marko migration moral movie Muslim narrative nationalist Ophuls Ottoman perpetrators political Pretty Flame Pretty Village propaganda protagonists rape realise region remains reports representations role Roma Romania Sarajevan Sarajevo scenes seen Serbian Serbs shot siege Srdjan story take sides talk Theo Angelopoulos Tito turbo-folk Ulysses Underground victims villains violence Vukovar West Western women writing York Yugoslav Zafranović Želimir Žilnik