The Art of Film Acting: A Guide For Actors and DirectorsTaylor & Francis, 2.10.2012 г. - 290 страници This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. |
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... voice and his actions. He was unaware that the camera and the microphone were the audience. He did not realize that the camera was capable of intimacy and would record his feelings and thoughts without projecting. He had thought that ...
... voice and his actions. On the screen he sounds as if he is talking to someone on the other side of the playground. If he had been in a stage play, he would have sounded okay. In the film, his third-balcony voice projection while ...
A Guide For Actors and Directors Jeremiah Comey. need to project your voice and actions. To avoid looking amateurish ... voices, their taut neck and throat muscles, and the tiny meteors of saliva streaking through the light. In contrast ...
... voice, and gestures to show us nothing but a dead mask of feeling that doesn't exist. “Indicating” means trying to express a feeling not from within but from without by using body and voice devices that supposedly represent some emotion ...
... voice, body language, looks, and emotions, but only if they come from your emotional response to the other actors and to the circumstances and not from indicating, as with mechanical actors. Subtext is an undercurrent that allows the ...
Съдържание
1 | |
10 | |
3 Becoming a Great Actor | 28 |
4 Sight Reading | 42 |
5 The Art of Concentration | 48 |
6 The Art of Not Knowing | 68 |
7 More on the Art of Not Knowing | 81 |
8 Still More on the Art of Not Knowing | 100 |
12 Intimacy Empathy and Intuition | 167 |
13 The Audition | 187 |
14 More on the Audition | 209 |
15 The Comedy Audition | 233 |
16 Conclusion | 268 |
Afterword | 273 |
Bibliography | 276 |
Videography | 278 |
9 The Art of Acceptance | 117 |
10 The Art of Giving and Receiving | 131 |
11 The Senses | 148 |
Index | 283 |