The Art of Film Acting: A Guide For Actors and DirectorsTaylor & Francis, 2.10.2012 г. - 290 страници This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. |
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... shot at a time, and never for the whole screenplay. Restricted by costs, availability of actors, locations, and convenience, the director shoots her movie in separate chunks at different times and hardly ever in the same order as in the ...
... shot you have just done, she is not looking for a repetition, even though your performance may have been brilliant. She is making one more try for something that she hopes will be knock-'em-out-of-their-socks brilliant. In film, not ...
... shots and subtle in the close-ups.” Not true. In a close-up, you have to be not only subtle but real, because it is in those close-ups where Kazan's “severe and awful trial” takes place. The camera sees everything and demands absolute ...
... shot: we see Chelsea full-face and the back of Norman's head. We see her feeling of happy expectancy. Here she encounters the close-up's “severe and awesome trial” of being absolutely honest. INT. LIVING ROOM. EVENING. CLOSE TWO-SHOT ON ...
... shot over Henry Fonda's shoulder. We see exactly what is going on inside her. With the back of his head close in the right foreground, we see his slight unplanned movement backward that tells us what he is experiencing. The least bit of ...
Съдържание
1 | |
10 | |
3 Becoming a Great Actor | 28 |
4 Sight Reading | 42 |
5 The Art of Concentration | 48 |
6 The Art of Not Knowing | 68 |
7 More on the Art of Not Knowing | 81 |
8 Still More on the Art of Not Knowing | 100 |
12 Intimacy Empathy and Intuition | 167 |
13 The Audition | 187 |
14 More on the Audition | 209 |
15 The Comedy Audition | 233 |
16 Conclusion | 268 |
Afterword | 273 |
Bibliography | 276 |
Videography | 278 |
9 The Art of Acceptance | 117 |
10 The Art of Giving and Receiving | 131 |
11 The Senses | 148 |
Index | 283 |