India's Shakespeare: Translation, Interpretation, and PerformancePoonam Trivedi, Dennis Bartholomeusz University of Delaware Press, 2005 - 303 страници This is a collection on the diverse aspects of the interaction between Shakespeare and India, a process embedded in the contradictions of colonialism - of simultaneous submission and resistance. The essays, grouped around the key issues of translation, interpretation, and performance, deal with how the plays were taught, translated, and adapted, as well as the literary, social, and political implications of this absorption into the cultural fabric of India. They also look at the other side, what India meant to Shakespeare. Further, they document how the performance of Shakespeare both colonized and catalyzed Indian theater - being staged in English in schools, in translation in various parts of the country, through acculturation into indigenous theater forms and Hindi cinema. The book highlights, and thus rereads, not just one of the longest and most widespread interactions between a Western author and the East but also part of the colonial and postcolonial history of India. Poonam Trivedi is a Reader in English at Indraprastha College, University of Delhi. Now retired, Dennis Bartholomeusz was Reader in English literature at Monash University in Melbourne. |
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Резултати 1 - 5 от 31.
Страница
... became , and remains to this day , the most published and performed western author in India . The trope of a " border - crossing Shake- speare " allowing cultures to speak with each other forms the center of this volume , with ...
... became , and remains to this day , the most published and performed western author in India . The trope of a " border - crossing Shake- speare " allowing cultures to speak with each other forms the center of this volume , with ...
Страница 14
... became embroiled in the spice and textile trade . The setting up of European theaters in India went beyond the purely recreational purposes to reveal a promotional and propagan- dist function . Gilbert Ironside , a Colonel in the East ...
... became embroiled in the spice and textile trade . The setting up of European theaters in India went beyond the purely recreational purposes to reveal a promotional and propagan- dist function . Gilbert Ironside , a Colonel in the East ...
Страница 19
... became , and remains to this day , the most translated , adapted , performed , and published Western author . A Malayalam translation of the com- plete works in three volumes , released on 23 April 2000 , sold 5,000 copies within three ...
... became , and remains to this day , the most translated , adapted , performed , and published Western author . A Malayalam translation of the com- plete works in three volumes , released on 23 April 2000 , sold 5,000 copies within three ...
Страница 23
... became central to not just lit- erary discourse , but also for cultural study . The notion of the forma- tion of new cultural identities through a hybrid performativity was extrapolated to include " national identity . " That the ...
... became central to not just lit- erary discourse , but also for cultural study . The notion of the forma- tion of new cultural identities through a hybrid performativity was extrapolated to include " national identity . " That the ...
Страница 56
... became so popular and made such huge profits that the actor Jayashankar , who played the role of Desdemona ( Sundari in the Indian version ) , was nicknamed Jayashankar Sundari . The impact of the Parsi theater also influenced the ...
... became so popular and made such huge profits that the actor Jayashankar , who played the role of Desdemona ( Sundari in the Indian version ) , was nicknamed Jayashankar Sundari . The impact of the Parsi theater also influenced the ...
Съдържание
47 | |
Romeo and Juliet in Modern Indian Disseminations | 74 |
Parsi Theaters First Urdu Play Khurshid | 92 |
Translation and Performance of Shakespeare in Kannada | 106 |
Interpretation | 121 |
A study of The Winters Tale and Shakuntalam | 123 |
England the Indian Boy and the Spice Trade in A Midsummer Nights Dream | 141 |
Shakespeares India | 158 |
Ekbal Ahmeds Macbeth and Hamlet | 193 |
Bagro Basant Hai | 204 |
A Directors Note | 218 |
The Art of Localization | 227 |
Shakespeare and the Bengali Actress in NineteenthCentury Calcutta | 242 |
Shakespeares Plays in Calcutta 17751930 | 260 |
Shakespeare in Hindi Cinema | 269 |
Notes on Contributors | 291 |
Performance | 169 |
The Performance of Shakespeare in Traditional Indian Theater Forms | 171 |
Други издания - Преглед на всички
Често срещани думи и фрази
actors actresses Ananda Lal audience B. V. Karanth Bengali Binodini Bombay film Calcutta Cambridge century Chandra characters cinema colonial Company contemporary critical cultural Cymbeline dastan Delhi Dennis Bartholomeusz director Dushyanta Dutt East Ekbal Elizabethan English essay example female Girish Ghosh Gujarati Hamlet heroine Hindi Hindu Ibid Indian boy Indian languages Indian theater indigenous jatra Kalidasa Kannada kathakali Khori Khurshid King kiss Kumar Lady Macbeth Lear literary London Maharishi Marathi Merchant of Venice Midsummer Night's Dream modern Natak Ninasam Oberon Orient original Othello Parsi theater performance of Shakespeare playwright poet poetic popular Portia postcolonial production rasa roles romance Romeo and Juliet Sanskrit drama scene Shake Shakespeare in India Shakespeare translation Shakespeare's plays Shakuntala Shrew Shylock songs speare speare's stage success Teenkori theater forms theatrical tion Titania tradition tragedy tragic translation of Shakespeare University Press Urdu Western Winter's Tale women yakshagana
Препратки към тази книга
World-wide Shakespeares: Local Appropriations in Film and Performance Sonia Massai Ограничен достъп - 2005 |