Intervals, Scales, Tones and the Concert Pitch C

Предна корица
Temple Lodge Publishing, 2015 - 198 страници
Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she also elucidates many of Steiner's often puzzling statements about music.
 

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Съдържание

2 6514_Int
1
6514_ch01
3
6514_ch02
7
6514_ch03
9
6514_ch04
13
6514_ch05
17
6514_ch06
19
6514_ch07
23
6514_ch19
91
6514_ch20
104
6514_ch21
107
6514_ch22
127
6514_ch23
132
6514_ch24
140
6514_ch25
152
6514_ch26
153

6514_ch08
27
6514_ch09
39
6514_ch10
43
6514_ch11
46
6514_ch12
48
6514_ch13
57
6514_ch14
67
6514_ch15
73
6514_ch16
76
6514_ch17
80
6514_ch18
83
6514_ch27
159
6514_ch28
161
6514_chapp1
165
6514_chapp2
178
6514_chapp3
186
7100
189
7101
191
7102
195
7103
196
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