The Man Shakespeare and His Tragic Life-storyMitchell Kennerley, 1909 - 422 страници |
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Страница xii
... come chiefly from that dark lantern which he now and then flashed upon the master . In one solitary respect , our latter - day criticism has been successful ; it has established with very considerable accuracy the chronology of the ...
... come chiefly from that dark lantern which he now and then flashed upon the master . In one solitary respect , our latter - day criticism has been successful ; it has established with very considerable accuracy the chronology of the ...
Страница xiii
... come : " Hamlet " is perhaps his most characteristic creation , and Hamlet , in his intel- lectual unrest , morbid brooding , cynical self - analy- sis and dislike of bloodshed , is much more typical ⚫ • of the nineteenth or twentieth ...
... come : " Hamlet " is perhaps his most characteristic creation , and Hamlet , in his intel- lectual unrest , morbid brooding , cynical self - analy- sis and dislike of bloodshed , is much more typical ⚫ • of the nineteenth or twentieth ...
Страница xvii
... come nearer to my purpose by means of a simile . Talking with Sir David Gill one evening on shipboard about the fixed stars , he pointed one out which is so distant that we cannot measure how far it is away from us and can form no idea ...
... come nearer to my purpose by means of a simile . Talking with Sir David Gill one evening on shipboard about the fixed stars , he pointed one out which is so distant that we cannot measure how far it is away from us and can form no idea ...
Страница 12
Frank Harris. In the churchyard scene of the fifth act Romeo's likeness to Hamlet comes into clearest light . Hamlet says to Laertes : " I pr'ythee , take thy fingers from my throat ; For though I am not splenitive and rash Yet have I ...
Frank Harris. In the churchyard scene of the fifth act Romeo's likeness to Hamlet comes into clearest light . Hamlet says to Laertes : " I pr'ythee , take thy fingers from my throat ; For though I am not splenitive and rash Yet have I ...
Страница 16
... comes between Othello and " Lear , " and belongs , therefore , to the topmost height of the poet's achievement , whose principal character is Hamlet , Hamlet over again , with every peculiarity and every fault ; a Hamlet , too , en ...
... comes between Othello and " Lear , " and belongs , therefore , to the topmost height of the poet's achievement , whose principal character is Hamlet , Hamlet over again , with every peculiarity and every fault ; a Hamlet , too , en ...
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action Anne Hathaway Antony beauty Ben Jonson better Biron Brutus Caesar character characteristic Claudio Cleopatra Coleridge Comedy confession contempt Cressida cries critics Cymbeline death doubt drama Duke eyes fact Falstaff fault gentle Gentlemen of Verona give Hamlet hath heart Herbert hero honour Hotspur humour Iago Jaques jealousy Jonson Juliet King later Lear live Lord Love's Labour's Lost lover lyric Macbeth Mary Fitton melancholy mind mistress murder nature never noble old play Orsino Othello painted passion peculiar phrase pity poet portrait Posthumus praise Prince Henry Proteus revenge Richard Richard II Romeo Romeo and Juliet Rosaline says scene seems sensuality Shake Shakespeare speaks shows sonnets soul speare speare's speech spirit story Stratford sweet sympathy talk tells thee thou thought Timon tion tragedy traits Troilus Troilus and Cressida true truth Twelfth Night Valentine weakness wife woman words youth
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Страница 24 - Sleep no more! Macbeth does murder sleep" — the innocent sleep, Sleep that knits up the ravell'd sleave of care; The death of each day's life, sore labour's bath, Balm of hurt minds, great Nature's second course, Chief nourisher in life's feast — Lady M. What do you mean? Macb. Still it cried "Sleep no more!
Страница 69 - All murder'd ; for within the hollow crown, That rounds the mortal temples of a king, Keeps Death his court, and there the antic sits, Scoffing his state and grinning at his pomp...
Страница 20 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...
Страница 346 - This music crept by me upon the waters, Allaying both their fury and my passion With its sweet air : thence I have follow'd it, Or it hath drawn me rather.
Страница 330 - I'll kneel down, And ask of thee forgiveness : so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses and who wins ; who's in, who's out ; And take...
Страница 118 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Страница 182 - How use doth breed a habit in a man ! This shadowy desert, unfrequented woods, I better brook than flourishing peopled towns : Here can I sit alone, unseen of any, And, to the nightingale's complaining notes, Tune my distresses, and record
Страница 3 - OTHERS abide our question. Thou art free. We ask and ask — Thou smilest and art still, Out-topping knowledge. For the loftiest hill, Who to the stars uncrowns his majesty, Planting his steadfast footsteps in the sea, Making the heaven of heavens his dwelling-place, Spares but the cloudy border of his base To the...
Страница 327 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these ? O, I have ta'en Too little care of this ! Take physic, pomp ; Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them, And show the heavens more just.
Страница 24 - But wherefore could not I pronounce, Amen ? I had most need of blessing, and Amen stuck in my throat.