Biographia Literaria, Том 2Clarendon Press, 1907 - 334 страници These two volumes are a reprint of the edition of 1817 with additional material to clarify the text. It includes Coleridge's aesthetical writings; notes on the text; and an introductory essay about his theory of imagination. |
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Страница 7
... imitations of them ; they must have sunk at once , a dead weight , into 20 the slough of oblivion , and have dragged the preface along with them . But year after year increased the number of Mr. Wordsworth's admirers . They were found ...
... imitations of them ; they must have sunk at once , a dead weight , into 20 the slough of oblivion , and have dragged the preface along with them . But year after year increased the number of Mr. Wordsworth's admirers . They were found ...
Страница 30
... imitation of the rude unpolished manners and discourse of their inferiors . For the pleasure so derived may be traced to three exciting causes . The first is the naturalness , in fact , of the things represented . The second is the ...
... imitation of the rude unpolished manners and discourse of their inferiors . For the pleasure so derived may be traced to three exciting causes . The first is the naturalness , in fact , of the things represented . The second is the ...
Страница 36
... imitate truly a dull and garrulous discourser , without repeating the effects of dullness and garrulity . However this may be , I dare assert , that the parts ( and these form the 20 far larger portion of the whole ) which might as well ...
... imitate truly a dull and garrulous discourser , without repeating the effects of dullness and garrulity . However this may be , I dare assert , that the parts ( and these form the 20 far larger portion of the whole ) which might as well ...
Страница 40
... imitation and passive 5 remembrance of what they hear from their religious instruc- tors and other superiors , the most uneducated share in the harvest which they neither sowed or reaped . If the history of the phrases in hourly ...
... imitation and passive 5 remembrance of what they hear from their religious instruc- tors and other superiors , the most uneducated share in the harvest which they neither sowed or reaped . If the history of the phrases in hourly ...
Страница 41
... imitate , and , as far as is possible , to adopt the very language of men . " " Between the language of prose and that of metrical composition , there neither is , nor can be any essential difference . " It is against these exclusively ...
... imitate , and , as far as is possible , to adopt the very language of men . " " Between the language of prose and that of metrical composition , there neither is , nor can be any essential difference . " It is against these exclusively ...
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admiration agreeable Apollo Belvedere appear beauty Bertram Biog Brougham Castle character Coleridge Coleridge's common composed composition critic DANE definition delight diction distinction dramatic Edinburgh Review edition effect Elbe English Ennead equally Essay excellence excitement expression faculties fancy feeling former German Greek Hamburg heart human images imagination imitation instance intellectual interest judgement Kant Klopstock Kotzebue lady language Lectures less Letters lines Lyrical Ballads means ment metre Milton mind moral nature object opinion original passage passion perhaps person philosopher pleasure Plotinus poem poet poet's poetry Preface present principle prose published 1807 Ratzeburg reader reason recollect Review rhyme rustic Samuel Daniel Sara Coleridge scene seems sense Shakespeare sonnet soul speaking specimens spirit stanza style sweet taste thing thou thought tion translation truth unity Venus and Adonis verse whole words Wordsworth writings καὶ
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Страница 289 - Lyrical Ballads; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.
Страница 43 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Страница 12 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Страница 35 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Страница 51 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
Страница 74 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
Страница 6 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Страница 12 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Страница 45 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Страница 118 - For the same sound is in my ears Which in those days I heard. " Thus fares it still in our decay : And yet the wiser mind Mourns less for what age takes away Than what it leaves behind.