Coleridge's Literary CriticismOxford University Press, 1949 - 266 страници |
Между кориците на книгата
Резултати 1 - 3 от 23.
Страница 78
... latter half of the sixth line . ) The second is a poem of greater length , which I have chosen not only for the present purpose , but likewise as a striking example and illustration of an assertion hazarded in a former page of these ...
... latter half of the sixth line . ) The second is a poem of greater length , which I have chosen not only for the present purpose , but likewise as a striking example and illustration of an assertion hazarded in a former page of these ...
Страница 144
... latter days : poor , sick , old , blind , slandered , persecuted , Darkness before , and danger's voice behind , - in an age in which he was as little understood by the party , for whom , as by that , against whom he had contended ; and ...
... latter days : poor , sick , old , blind , slandered , persecuted , Darkness before , and danger's voice behind , - in an age in which he was as little understood by the party , for whom , as by that , against whom he had contended ; and ...
Страница 251
... latter in the exhibition of manners and peculiarities , whims in language , and vanities of appearance . There is , however , a diversity of the most dangerous kind here . Shakespeare shaped his characters out of the nature within ; but ...
... latter in the exhibition of manners and peculiarities , whims in language , and vanities of appearance . There is , however , a diversity of the most dangerous kind here . Shakespeare shaped his characters out of the nature within ; but ...
Други издания - Преглед на всички
Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest judgement kind language latter Lear least less light lines living look manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings