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HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge

1882

Entered according to Act of Congress, in the year 1879, by

ADDISON P. RUSSELL,

In the Office of the Librarian of Congress, at Washington.

All rights reserved.

NO VIMU
AMBORLIAD

RIVERSIDE, CAMBRIDGE:

STEREOTYPED AND PRINTED BY

H. O. HOUGHTON AND COMPANY.

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UNIV. OF

VINGOUT YO

LIBRARY NOTES.

I.

INSUFFICIENCY.

It was well said by some one that "in every object there is an inexhaustible meaning; the eye sees in it what the eye brings means of seeing." "Each one sees what he carries in his heart," said Goethe. "You will find poetry nowhere," said Joubert, "unless you bring some with you." "Those who would see or feel the truth of the anatomy in the marble must bring their knowledge with them." "Don't you think that statue indecent?" said Boswell to Johnson. "No, sir," was the reply, "but your remark is." Once, we are told by Hazlitt, when a pedantic coxcomb was crying up Raphael to the skies, Northcote could not help saying, "If there was nothing in Raphael but what you can see in him, we should not now have been talking of him." Douglas Jerrold, it is said, disliked the theatre behind the scenes, and seldom went there save to witness a rehearsal. He would generally attend on the first night of the performance of his piece, but he seldom saw the same piece twice. His idea, as realized, generally disgusted him. He saw it with all the delicate touches rubbed away, a shadow, or a vulgar caricature. His quarrels with actors were incessant, because they would take their idea and not his idea of a part. La Rochefoucauld, in his Maxims, gives us a picture, not of human nature, but

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